Broadcast News
                    19/04/2013
                
               Eyeheight Legaliser Wins Pick Hit NAB Award
 
                    
                    Eyeheight's new LE-2M-K full-featured logging legaliser (model LEGAL-6 in the Americas) has received a Pick Hit award from the US-based magazine Broadcast Engineering.
The award was made during NAB 2013 at the Las Vegas Convention Center, 8-11 April.
"This was the high point of a very successful show," said Eyeheight's sales director Martin Moore.
"Co-exhibiting in the Central Hall with Leader Instruments Corporation, our reseller for North and South America, we demonstrated our latest products to existing and potential buyers from as far afield as Australia, China, Japan, Europe and India. Interest in the new logging legaliser was very high, given its ability to generate and store as-run conformance data in countries where legislation makes this compulsory. Every non-compliant video or audio event requiring correction is logged complete with its linear timecode identifier. This would be practically impossible to achieve manually. Video legalisation and loudness correction timelines can also be monitored on-screen."
The LE-2M-K legalizer incorporates Eyeheight's clobberRing automatic luma overshoot and undershoot suppression together with luma and chroma gain, black level adjustment, hue rotation, adjustable clipping levels and soft-clipping-knee levels.
An 'out-of-gamut' channel displays overshoot or undershoot severity and highlights the position of any signal correction being performed.
In the audio domain, the LE-2M-K provides automatic real-time control of perceptual loudness and true peak level using industry standard multi-channel loudness and true-peak estimation algorithms.
Embedded stereo or surround audio loudness is continuously monitored, system gain being automatically adjusted across all channels to stay within the loudness limit while preserving audio imaging.
Eyeheight's LE-2M-K auto-detects the incoming SDI or HD-SDI video signal format (standard, intermediate or high definition) and applies the appropriate legalising format. It then ensures that incoming video is held within user-selected colour-space parameters: RGB; YUV; composite (PAL or NTSC); or RGB-and-composite combined.
Based on Eyeheight’s proven geNETics platform, the LE-2M-K has two independent HD-SDI outputs plus a monitoring output. Processing is to full 10-bit depth throughout the system. Multiple modules can be accommodated in a 1 rack-unit 19 inch chassis for operation under local control from an Eyeheight FP-9 generic control panel. Like all geNETics products, the legalizer incorporates an Ethernet IP-networked control interface and can be operated via a unified hardware or software menu system giving access to each relevant parameter.
www.eyeheight.com
(IT/CD)
            The award was made during NAB 2013 at the Las Vegas Convention Center, 8-11 April.
"This was the high point of a very successful show," said Eyeheight's sales director Martin Moore.
"Co-exhibiting in the Central Hall with Leader Instruments Corporation, our reseller for North and South America, we demonstrated our latest products to existing and potential buyers from as far afield as Australia, China, Japan, Europe and India. Interest in the new logging legaliser was very high, given its ability to generate and store as-run conformance data in countries where legislation makes this compulsory. Every non-compliant video or audio event requiring correction is logged complete with its linear timecode identifier. This would be practically impossible to achieve manually. Video legalisation and loudness correction timelines can also be monitored on-screen."
The LE-2M-K legalizer incorporates Eyeheight's clobberRing automatic luma overshoot and undershoot suppression together with luma and chroma gain, black level adjustment, hue rotation, adjustable clipping levels and soft-clipping-knee levels.
An 'out-of-gamut' channel displays overshoot or undershoot severity and highlights the position of any signal correction being performed.
In the audio domain, the LE-2M-K provides automatic real-time control of perceptual loudness and true peak level using industry standard multi-channel loudness and true-peak estimation algorithms.
Embedded stereo or surround audio loudness is continuously monitored, system gain being automatically adjusted across all channels to stay within the loudness limit while preserving audio imaging.
Eyeheight's LE-2M-K auto-detects the incoming SDI or HD-SDI video signal format (standard, intermediate or high definition) and applies the appropriate legalising format. It then ensures that incoming video is held within user-selected colour-space parameters: RGB; YUV; composite (PAL or NTSC); or RGB-and-composite combined.
Based on Eyeheight’s proven geNETics platform, the LE-2M-K has two independent HD-SDI outputs plus a monitoring output. Processing is to full 10-bit depth throughout the system. Multiple modules can be accommodated in a 1 rack-unit 19 inch chassis for operation under local control from an Eyeheight FP-9 generic control panel. Like all geNETics products, the legalizer incorporates an Ethernet IP-networked control interface and can be operated via a unified hardware or software menu system giving access to each relevant parameter.
www.eyeheight.com
(IT/CD)
                Top Related Stories
Click here for the latest broadcast news stories.
        
                        18/01/2008
                        
Eyeheight Announces Formation Of Eyeheight USA
Eyeheight has announced the opening of a US office offering local sales and post-sales support to be managed by John D. Terrey. Terrey's broadcast bus
                Eyeheight Announces Formation Of Eyeheight USA
Eyeheight has announced the opening of a US office offering local sales and post-sales support to be managed by John D. Terrey. Terrey's broadcast bus
                        08/06/2011
                        
Eyeheight Introduces New Loudness Tools At Broadcast Asia
At Broadcast Asia Eyeheight is highlighting powerful new broadcast-quality production and post-production tools designed to address broadcast loudness
                Eyeheight Introduces New Loudness Tools At Broadcast Asia
At Broadcast Asia Eyeheight is highlighting powerful new broadcast-quality production and post-production tools designed to address broadcast loudness
                        03/08/2010
                        
Eyeheight Adds Automatic Loudness Controllers
Eyeheight has announced two major new additions to its range of broadcast-quality production and post-production tools. Scheduled for introduction at
                Eyeheight Adds Automatic Loudness Controllers
Eyeheight has announced two major new additions to its range of broadcast-quality production and post-production tools. Scheduled for introduction at
                        19/07/2012
                        
Jünger Audio Makes Audio Loudness Its Focus At BIRTV 2012
Dynamics specialist Jünger Audio will focus on controlling audio loudness in the broadcast chain at this year’s BIRTV convention in China (August 22nd
                Jünger Audio Makes Audio Loudness Its Focus At BIRTV 2012
Dynamics specialist Jünger Audio will focus on controlling audio loudness in the broadcast chain at this year’s BIRTV convention in China (August 22nd
                        14/05/2012
                        
Jünger Audio Makes Audio Loudness Its Focus At Broadcast Asia 2012
Dynamics specialist Jünger Audio will focus on controlling audio loudness in the broadcast chain at this year’s Broadcast Asia convention in Singapore
                Jünger Audio Makes Audio Loudness Its Focus At Broadcast Asia 2012
Dynamics specialist Jünger Audio will focus on controlling audio loudness in the broadcast chain at this year’s Broadcast Asia convention in Singapore
                        21/09/2007
                        
Eyeheight AS-2MD Multi-Definition Audio Shuffler
The AS-2MD simplifies the task of re-assigning embedded audio channels within an HD-SDI or SD-SDI feed. A second input allows embedded audio to be ext
                Eyeheight AS-2MD Multi-Definition Audio Shuffler
The AS-2MD simplifies the task of re-assigning embedded audio channels within an HD-SDI or SD-SDI feed. A second input allows embedded audio to be ext
                        19/01/2004
                        
Eyeheight launches new periScope in-vision audio display
periScope , the latest addition to the Eyeheight range of broadcast and post-production equipment, is a rugged dual in-vision audio level display for
                Eyeheight launches new periScope in-vision audio display
periScope , the latest addition to the Eyeheight range of broadcast and post-production equipment, is a rugged dual in-vision audio level display for
                        22/08/2003
                        
Eyeheight to introduce 'Shuftie' audio shuffler at IBC
Eyeheight's new Shuftie is a compact and versatile digital audio channel shuffler and level controller. Designed for use in broadcast, postproduction
                Eyeheight to introduce 'Shuftie' audio shuffler at IBC
Eyeheight's new Shuftie is a compact and versatile digital audio channel shuffler and level controller. Designed for use in broadcast, postproduction
                        20/06/2016
                        
Eyeheight Adds To Product Range
Eyeheight has added to its product range with the first two modules in its AudioLoudnessSuite; the AudioLoudMeter and CorrectLoudWidget. Both plugins
                Eyeheight Adds To Product Range
Eyeheight has added to its product range with the first two modules in its AudioLoudnessSuite; the AudioLoudMeter and CorrectLoudWidget. Both plugins
                        28/01/2013
                        
NUGEN Audio At BVE 2013
At BVE 2013, NUGEN Audio will showcase its complete line of industry-leading solutions for loudness correction that offer a smarter approach to meetin
                NUGEN Audio At BVE 2013
At BVE 2013, NUGEN Audio will showcase its complete line of industry-leading solutions for loudness correction that offer a smarter approach to meetin
                        04/10/2013
                        
ZEN And The Art Of Loudness Metering
Television loudness has been a viewer’s concern for decades, but recent ITU standardisation has focussed the attention of programme creators on achiev
                ZEN And The Art Of Loudness Metering
Television loudness has been a viewer’s concern for decades, but recent ITU standardisation has focussed the attention of programme creators on achiev
                        24/01/2013
                        
NUGEN Audio At BVE 2013
At BVE 2013, NUGEN Audio will showcase its complete line of industry-leading solutions for loudness correction that offer a smarter approach to meetin
                NUGEN Audio At BVE 2013
At BVE 2013, NUGEN Audio will showcase its complete line of industry-leading solutions for loudness correction that offer a smarter approach to meetin
                        12/05/2017
                        
Jünger Audio Delivers Loudness Control To Al Jazeera
One of the world's largest news organisations, Al Jazeera, has chosen Jünger Audio's acclaimed loudness management technology to control and regulate
                Jünger Audio Delivers Loudness Control To Al Jazeera
One of the world's largest news organisations, Al Jazeera, has chosen Jünger Audio's acclaimed loudness management technology to control and regulate
                        27/03/2014
                        
Polish Broadcaster Gets To Grips With Audio Loudness Control
The issues surrounding audio loudness control were highlighted recently at a training seminar and workshop organised by Polish broadcaster TVP. Dynami
                Polish Broadcaster Gets To Grips With Audio Loudness Control
The issues surrounding audio loudness control were highlighted recently at a training seminar and workshop organised by Polish broadcaster TVP. Dynami
                        11/11/2016
                        
What Is The Future For Immersive Audio?
Peter Poers, Managing Director at Jünger Audio, looks at production efforts versus consumer experience. Introduction Along with the evolution of highe
                What Is The Future For Immersive Audio?
Peter Poers, Managing Director at Jünger Audio, looks at production efforts versus consumer experience. Introduction Along with the evolution of highe
















