Broadcast News

Bookmark and Share
16/02/2026

Digital Azul Strengthens Remote Production Strategy

News Image
Digital Azul, the independent production powerhouse specialising in complex live events and distributed broadcast workflows, has further strengthened its remote production capabilities with the addition of the RTS Intercom Systems NOMAD IP wireless intercom system. The agreement was signed with RTS through the Portuguese reseller Pantalha at ISE 2026.

Digital Azul delivers live production across television, film, advertising, sport, and events, frequently linking multiple locations and mobile teams back to its Lisbon-based MCR. These productions often take place in environments where connectivity is challenging yet require the same level of operational control and reliability as traditional OB-based workflows.

"We serve television, film, advertising and events by designing production solutions that remain editorially and technically coherent, even when everything is moving," said João Tocha, founder of Digital Azul. "That means connecting remote sites, roaming cameras, and mobile crews back to a central control room, without compromising communications. Reliable intercom is fundamental to that model."

For Digital Azul, RTS NOMAD functions as a wireless IP intercom layer within its distributed production architecture, extending full intercom access from mobile and remote locations back to the central MCR. The system supports up to 16 intercom channels integrated directly into the existing RTS infrastructure, allowing production teams to operate with the same communication structure whether working from fixed venues, temporary sites, or roaming setups.

The system is deployed across demanding outdoor and urban environments where crews, cameras, and presenters are constantly in motion. Flexible antenna configurations and weather-resistant hardware allow Digital Azul to maintain reliable communications across wide areas and complex locations, while mixing fixed panels at remote positions with wireless belt packs for mobile teams to match each production's operational needs.

NOMAD's SMPTE ST 2022-7 compliant IP stream allows intercom to be transported alongside video and data over public networks, including bonded IP backpack workflows. This enables communications, media, and control signals to move together with broadcast-grade resilience, supporting Digital Azul's communication-first approach to remote and multi-location live production.

"This investment supports our ongoing move towards more agile, communication-first remote production," Tocha added. "Our clients increasingly expect dynamic coverage across multiple locations, with presenters, artists, and cameras constantly in motion. A recent music launch involved live coverage from two venues across Lisbon, continuous streaming as the artist travelled through the city, and seamless coordination between mobile crews and the control room. These are exactly the scenarios where robust intercom makes the difference."

Digital Azul is already an RTS Intercom Systems rental partner across Europe, supplying intercom solutions to international productions. The NOMAD system was contracted at ISE in February 2026, with delivery scheduled for March. Its first deployment by Digital Azul Live will take place on coverage of the Longines Global Champions Tour, one of the most demanding international live sports production environments.

digitalazul.pt
VMI.TV Ltd

Top Broadcast News Stories

16/02/2026
Cerberus Tech Expands Livelink Multi-Cloud Reach with Akamai Integration
Cerberus Tech has further broadened the capabilities of its Livelink platform by adding Akamai Cloud as a supported infrastructure option for cloud-na
16/02/2026
Oscar-Nominated Cinematography For 'Train Dreams' Powered by ZEISS
Brazilian cinematographer Adolpho Veloso has garnered international acclaim, including a Best Cinematography nomination for the 98th Academy Awards, f
16/02/2026
Rise and Rise AV Join Forces for Landmark London IWD Celebration
Rise and Rise AV, the prominent non-profit organisations dedicated to fostering gender diversity in technical sectors, have announced their first-ever
16/02/2026
Digital Azul Strengthens Remote Production Strategy
Digital Azul, the independent production powerhouse specialising in complex live events and distributed broadcast workflows, has further strengthened
16/02/2026
Mavis Announces Native Support For Accsoon SeeMo At BSC Expo 2026
At BSC Expo 2026, Mavis announced full support for the Accsoon SeeMo series of iOS camera adapters across Mavis Camera and Mavis Monitor apps. This ne
16/02/2026
Content Vault Extends Device-Specific Encryption
Content Vault, the patent-pending content security platform originally developed for the film, television and entertainment industries, has today anno
16/02/2026
Pebble Secures £1.3m Contract with Tier 1 US Streaming Giant
Pebble, a leading global software firm specialising in broadcast and streaming automation, has secured a significant new contract with a Tier 1 US-bas
16/02/2026
Polish Hospitality Venues Transformed by Martin Audio ADORN Series
Polish distributor Phono Media has successfully integrated Martin Audio's ADORN Series pendant speakers into several high-profile hospitality environm
13/02/2026
Teradek Unveils RF-X Auto Switcher To Safeguard Critical Broadcast Signals
Teradek has introduced RF-X Auto Switcher, an intelligent signal‑management device designed to bolster redundancy and resilience in mission̴
13/02/2026
Pitch International Launches Cloud-Based FA Cup Distribution With Globecast And Synamedia
Globecast and Synamedia have confirmed that Pitch International has gone live with cloud-based distribution of Emirates FA Cup matches, giving rights