DMC Production Unveils Reverse Remote Production Model

DMC Production has introduced a new approach to outside broadcasting with the launch of AR 1 and AR 2, two software-defined remote production vehicles designed to reverse the traditional outside broadcast workflow.

Developed in collaboration with Calrec and Grass Valley, and built by systems integrator Broadcast Solutions, the identical production units are based on what DMC Production describes as a "reverse remote production" model. Rather than transporting large volumes of raw production signals back to a central facility, the new architecture keeps production-critical processing at the venue while allowing operators to work remotely.

The vehicles are built around Grass Valley's AMPP cloud-native platform, with Calrec's ImPulseV virtualised DSP forming the foundation of the audio infrastructure. During the first phase of deployment, DMC Production is using Calrec's ImPulse1 processing core before transitioning to the fully integrated ImPulseV AMPP platform.

The software-based architecture enables video switching, replay, signal processing, multiviewers, recording and audio mixing to take place locally at the venue. By moving the production edge closer to the event, DMC Production says the system significantly reduces bandwidth requirements, enabling large multi-camera productions to be delivered over internet connections as low as 100 Mbit/s.

Jens Envall, DMC Production's Chief Innovation Officer, said this is the first step in a larger deployment model for the company.

"The aim is not just to build one or two vehicles, but to establish a repeatable and scalable production concept where software, IP connectivity and professional broadcast control surfaces work together in a practical live production environment."

To support remote audio operations, DMC Production has installed a 48-fader Calrec Argo M console at its production facility in Munich, Germany. The console is linked to the remote production vehicles using Calrec's True Control 2.0 technology, allowing engineers to control audio mixes over low-latency IP connections while all production processing remains at the venue.

Each vehicle also incorporates Calrec Type R for local monitor and in-ear mixing alongside the required IP I/O infrastructure.

Envall said the Argo M surface stands out because it gives the audio engineer the right level of control for complex live productions.

"The physical faders, layout and operational approach are very important for sports and fast-moving live events. True Control 2.0 is also critical because it allows us to operate the audio environment remotely while maintaining a familiar and responsive workflow for the engineer. That is a key part of making this production model practical."

The company expects the flexible production model to support an increasingly diverse range of live content, including sports, entertainment, studio programming and event coverage.

"The demand from the market is changing quickly," said Envall. "Customers want high-quality production, but they also want more flexibility, shorter setup times and more efficient use of resources.

"Many rights holders and broadcasters no longer think only in terms of one main programme feed. They want clean feeds, ISO feeds, highlights, digital clips, social-first versions, venue feeds and sometimes additional language or commentary options. Because the vehicle can generate clean programme feeds locally, we can create a more flexible output structure from the venue. That can then feed traditional broadcast, OTT, social media, rights holders, venue screens or partner platforms."

The deployment also reflects the growing collaboration between Calrec and Grass Valley following the announcement of their technology partnership in April 2026, with tighter native integration planned as the ImPulseV platform becomes fully embedded within the AMPP ecosystem.

Looking ahead, Envall said the project represents more than the introduction of new equipment.

"This is not a standard installation where we are simply replacing one traditional audio console with another. We are building a new workflow, and that requires a close dialogue between engineering, product and operational teams. Calrec has been very supportive throughout the project. That ongoing relationship is important because this is the first step in a scalable model. We need partners who are willing to develop with us, not only supply equipment."

calrec.com