Broadcast News

Bookmark and Share
06/07/2021

Remote Production System Relies On VITEC Equipment

News Image
Minicams' remote production system has been instrumental for productions over the last year due to the pandemic, supported with a helping hand from some VITEC equipment.

The fixed-rig specialists relied on VITEC's MGW ACE Encoders and MGW ACE Decoders to form a backbone for its Cloud-rig system. Designed to enable a highly portable remote production solution for fixed-rig filming, the system records local high resolution edit ready files, whilst streaming high quality ultra-low latency pictures and audio back to production staff, allowing pan/tilt cameras to be operated remotely from across the globe. Minicams has two fully developed portable Cloud-rig systems available to ship out and use, which both use the VITEC equipment.
 
"As a company, we have seen a lot of interest in small portable fixed rig systems, where we can be in a room and operate and set up somewhere else within the same building," said Nick McLachlan, Managing Director, Minicams. "When the pandemic happened, we needed to find a way of doing that remotely. Fortunately for us we had worked on a remote production system back in 2014, but due to the available technology at the time and slow domestic broadband speeds, we encountered delay with both streaming the video and the camera control. The missing piece of the jigsaw was being able to ensure low latency, reliable, high quality pictures being streamed back to us at our control room, where the robotic cameras are being operated from. That's where the VITEC ACE encoder came in. Using the HEVC and SRT streaming, it was faultless, and incredible compared to what we had previously; it was almost like we were operating next door. This was critical as any excessive latency on the video can really confuse the hot head operator when controlling the cameras remotely. We've used it in the UK and in the US, and thanks to the low latency we could be precise with the camera operation and create a programme that visually looked the same as if we were all set up in a gallery on location."

Minicams' Cloud-rig is a six-camera system, with a built-in encoder and decoder. The system is unobtrusive and portable and can be shipped out to the client in a small number of PELI cases. The client plugs in the system and is guided through the process by remote staff, who connect remotely to check that the cameras are operating and audio are optimal – a process which Nick describes as akin to a 'guided dry hire' or a 'hybrid' process. MGW ACE Encoder is a compact HEVC (H.265) hardware encoder delivering ultra-low latency HEVC streaming down to 16ms glass-to-glass. The MGW ACE Decoder provides 4:2:2 10-bit HEVC and H.264 decoding from IP or DVB-ASI as well as genlock support, and is 4K ready with its 12G-SDI and HDMI outputs.
 
"We're able to control and view everything very reliably over domestic broadband connections," added Nick. "A lot of what we do is observational documentaries in remote locations, so we don't have the luxury of being able to go into a studio with dedicated connectivity. Because we film for long periods of time – sometimes 12-14 hours a day, for multiple days in a row – we are not able to use 4G or 5G connections because the price would be prohibitive. As we specialise in multi-channel edit ready recording, this solution was a real gamechanger for us. The colour reproduction is also excellent. We looked at other manufacturers, but I liked the build quality I saw with VITEC, and I was able to get support very easily. It was cost effective and delivered everything we needed, and it's a brand I respect."
 
Nick sees the remote production shift seen during the pandemic continue to be a strong option for productions in the documentary sector: "Traditionally, the client and the production team like to be as close to contributors and cameras as possible, even if we can't go in and have direct interaction, we like the feeling of being close. But now, being able to get everything back reliably with low latency has changed things. There's a new confidence where the production team can be removed from where the action is happening. It has also become more acceptable as a way of working for everyone. I can see this as being the way of the future, with perhaps fewer people on location and others dispersed geographically. It opens up possibilities and has shown our clients a different way of being able to work reliably."

www.vitec.com
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

25/03/2013
Remote-Solutions & Bradley Engineering Unveil 'Remote Head'
If you consider yourself a good camera operator, the most important item on your newly acquired Jib arm is the Remote Head. What you need from a Remot
27/10/2017
Agile Remote Cameras Launches New PTZ Cameras & Controller
Agile Remote Cameras has announced the launch of two new PTZ cameras, each with a unique modular design, plus a desktop camera controller. The ARC360
22/03/2013
Axis1 Unveal Wireless Remote Focus System
UK based Hocus Products will launch at NAB in Las Vegas a totally new advanced Wireless Remote Follow Focus system for cine lenses, the Axis1. Product
06/07/2011
Peli Unveils 9435 Remote Area Lighting System
Peli Products has announced the launch of their Advanced Area Lighting Group's 9435 Remote Area Lighting System (RALS) as its first safety-approved LE
30/06/2003
BBC Technology install huge remote broadcast monitoring system
BBC Technology have announced a significant contract with DIRECTV, a leading digital multichannel television service provider in the US. According to
18/12/2002
Software remote control facilitates lower system costs
Ultimatte have announced that their Virtual Control Panel, a software user interface for the remote operation and adjustment of Ultimatte's real-time
10/06/2024
Canon Europe To Offer Firmware For 4K Remote Cameras
Canon Europe is to offer firmware for 4K remote cameras and remote camera controllers intended to improve the functionality and performance of functio
07/02/2024
Marshall Cameras Compatible With Quicklink Remote Studio Solution
Marshall Electronics has announced that its CV730 30x UHD60 NDI PTZ camera is compatible with the Quicklink Remote Studio and ST250 multi-camera remot
06/02/2024
Marshall Cameras Compatible With Quicklink Remote Studio Solution
Marshall Electronics has announced that its CV730 30x UHD60 NDI PTZ camera is compatible with the Quicklink Remote Studio and ST250 multi-camera remot
02/09/2021
Agile Remote Cameras Now Part Of MRMC
Mark Roberts Motion Control (MRMC), a Nikon company, has announced that Agile Remote Cameras, the Winchester-based manufacturer of the highly-regarded
13/07/2021
JVC Introduces New PTZ Remote Cameras
JVC has unveiled three new PTZ remote cameras, designed for reliable remote IP production for education, corporate, live events and sport applications
06/01/2020
High-End TV Wildlife Series Innovates With Sony BRC Remote Cameras
Normally spotted in a pristine studio environment, the Sony BRC Series PTZ remote cameras have found a new application documenting the heart-warming s
01/06/2016
Five Panasonic AW-HE130 Remote Cameras Installed At The Royal Academy Of Music
Five Panasonic AW-HE130 remote cameras have been installed at the Royal Academy of Music. The remote cameras will allow the Academy to record, live st
14/10/2014
Remote Control And 4K Cameras - Bradley Engineering's IBC2014
Bradley Engineering's stand was one of the busiest at IBC with visitors arriving to test-drive the remote-controlled cameras and queueing with questio
30/04/2013
Camera Corps Extols Remote Cameras
Camera Corps has reported "increasing worldwide recognition of the creative potential" offered by remotely controlled camera systems. Exhibiting at th