Broadcast News
20/01/2026
Broadcast Fibre Transport Underpins VR And AR Live Production
Live production is rapidly evolving as audiences seek immersion, interaction and the 'wow' factor delivered by Virtual Reality (VR) and Augmented Reality (AR).
Bringing these elements to air in real time depends on a robust backbone, with broadcast fibre transport providing the capacity and stability required to make complex, graphics-rich workflows possible.
VR and AR are exceptionally data-intensive. Beyond standard HD, they often involve rendering 3D graphics, tracking camera movement in real time and layering virtual elements over live pictures. That generates heavy data flows that must shuttle between cameras and control systems instantly. Traditional copper cabling struggles with the necessary bandwidth over distance, whereas fibre optics can carry uncompressed 4K and 8K video along with associated data without compromise.
Latency is critical. In immersive productions, even a small delay between a physical camera move and the corresponding virtual update can break the illusion. This kind of "drift" can induce motion sickness for VR users and appears unprofessional on AR broadcasts. Purpose-built broadcast fibre transport keeps end-to-end latency extremely low and maintains tight synchronisation between the physical environment and digital assets.
Distance and flexibility also matter. Live events rarely unfold in tightly controlled studios; they stretch across stadiums, festival grounds and large outdoor venues. Conventional SDI runs face strict distance limits before signals degrade. Fibre preserves signal integrity over kilometres, allowing directors to place cameras wherever needed — a major advantage for AR rigs positioned far from central processing points or production trucks.
Reliability is non-negotiable when you are live. Professional fibre transport hardware is engineered for continuous operation and the demands of the road, while optical paths are immune to electromagnetic interference common around lighting, audio and wireless systems. The result is clean, stable video and audio feeds suitable for high-quality AR composites reaching the switcher intact.
Integrating immersive tools also benefits from streamlined setups. MultiDyne highlights solutions designed for field production, including the Bulldog Mini Series, which consolidates video, audio, intercom and data onto a single fibre strand. By reducing cabling complexity and setup time, crews can spend less energy troubleshooting connectivity and more on creative execution.
For productions aiming to elevate live events with VR and AR, broadcast fibre transport provides the speed, bandwidth and resilience required to deliver the experience audiences expect. MultiDyne encourages teams to explore the Bulldog Mini Series or contact the company to discuss how its systems can support upcoming shows.
www.multidyne.com
Bringing these elements to air in real time depends on a robust backbone, with broadcast fibre transport providing the capacity and stability required to make complex, graphics-rich workflows possible.
VR and AR are exceptionally data-intensive. Beyond standard HD, they often involve rendering 3D graphics, tracking camera movement in real time and layering virtual elements over live pictures. That generates heavy data flows that must shuttle between cameras and control systems instantly. Traditional copper cabling struggles with the necessary bandwidth over distance, whereas fibre optics can carry uncompressed 4K and 8K video along with associated data without compromise.
Latency is critical. In immersive productions, even a small delay between a physical camera move and the corresponding virtual update can break the illusion. This kind of "drift" can induce motion sickness for VR users and appears unprofessional on AR broadcasts. Purpose-built broadcast fibre transport keeps end-to-end latency extremely low and maintains tight synchronisation between the physical environment and digital assets.
Distance and flexibility also matter. Live events rarely unfold in tightly controlled studios; they stretch across stadiums, festival grounds and large outdoor venues. Conventional SDI runs face strict distance limits before signals degrade. Fibre preserves signal integrity over kilometres, allowing directors to place cameras wherever needed — a major advantage for AR rigs positioned far from central processing points or production trucks.
Reliability is non-negotiable when you are live. Professional fibre transport hardware is engineered for continuous operation and the demands of the road, while optical paths are immune to electromagnetic interference common around lighting, audio and wireless systems. The result is clean, stable video and audio feeds suitable for high-quality AR composites reaching the switcher intact.
Integrating immersive tools also benefits from streamlined setups. MultiDyne highlights solutions designed for field production, including the Bulldog Mini Series, which consolidates video, audio, intercom and data onto a single fibre strand. By reducing cabling complexity and setup time, crews can spend less energy troubleshooting connectivity and more on creative execution.
For productions aiming to elevate live events with VR and AR, broadcast fibre transport provides the speed, bandwidth and resilience required to deliver the experience audiences expect. MultiDyne encourages teams to explore the Bulldog Mini Series or contact the company to discuss how its systems can support upcoming shows.
www.multidyne.com
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