Broadcast News

Bookmark and Share

Broadcast Safe - Just How Safe Is Safe

News Image
For years QC operators have battled to ensure the broadcasters didn’t reject a programme for content outside broadcast title safe.

In the move from SD to HD we didn't quite avoid the need for 4:3 title safe so even 16:9 content often needed to be 4:3 title safe or if we were lucky 14:9 title safe. This was to protect titles in 16:9 content still being safe if that 16:9 content was horizontally cropped and letterboxed for display on a 4:3 screen as would often be the case for international deliveries.
One of the continual challenges was that few title safe cages (the superimposed guide lines added to the monitoring to indicate the title safe area) exactly matched each other.

So an editor would often get rejected content that looked safe on their screen. Making it hard for them to ensure compliance.
But let's talk about why we needed title safe. Early displays where CRTs and the nature of the technology meant manufacturers routinely over scanned the image to ensure the image completely filled the screen. It wasn’t uncommon for the TV alignment to drift as the TV warmed up or aged and to avoid black edges showing the scan was adjusted to be larger than the tube surface size. Basically showing a slightly zoomed in image.
Horizontally the drift in alignment was the biggest problem so we used to allow 20% horizontally and 10% vertically. Giving us our 80% by 20% title safe. Not to be used for titles or captions to ensure they would be visible on the worst adjusted TV.

So editors and QC operators, on monitors set to be under scanned, ‘Showing a zoomed out image so we can see all the active screen area plus and blanking that may have slipped passed the editor, would Check all titles and captions stayed within the safe title area.

But life's not as simple as even that. What's a title or caption?
Captions are easy as the editor normally adds them although nowadays, we often see in camera captions shot by the camera person at the start or end of a section. These are a real problem if they aren’t compliant as we can’t move them easily.
But other than that any added captions, credits etc should be aligned to be title safe to whatever spec is required.
Content that comes on screen that contains text needs some sensible interpretation on the requirement for it to be title safe. The normal rule applied is the content needs to be title safe if reading it is integral to the story. Incidental text on screen is unimportant.
Also text that is important doesn’t have to be on screen, in the title safe area, at any particular moment. A title can scroll across, or even up and down, as long as all the important content passes through the title safe area.

OK simple so far...
But what about titles that slightly encroach outside our hallowed title safe grid?
It was generally accepted that the hanging descender part of a letter could dangle below the safe title guides but for many years a strict line was taken on even a pixel of a letter extending beyond the title safe cage.
In part this was because an eyeball QC would be done by the broadcaster and a rejection due to a simple title issue would be embarrassing and expensive. So QC operators at facilities and post houses took a hard line on title safe compliance.

But the world's moved on (or at least I hope and teach it has). We don’t watch TV on CRT displays any longer. Modern flat screens don’t drift out of alignment and generally have a much smaller overscan, many with the option to show all the active pixels.

This has been recognised by the DPP (Digital Production Partnership) in the change to 90% horizontal and vertical title safe. This came in with version 5.0 of the DPP spec in March 2017.

But it's a common discussion topic on the QC courses I deliver for Broadcasters and facilities, Just how strict should you be on applying title safe?
The way I teach it is to imagine you have masked off the edges of the screen so you can only see the 90% title safe area. Can the words you see still be read and understood?
Generally they can easily be read and if so that should be acceptable. But if a potentially cropped letter makes a word ambiguous then it's a problem.
So we have a title with a slight overhang outside title safe but its clearly readable an unambiguous, is that a compliance fail? Well technically it would be a breach of the DPP spec as applied by that broadcaster but here is where another variable comes into play. Broadcasters will often make exceptions to their own specs. And in the new world of broadcast less and less content will be eyeball checked at the broadcasters end.

So the bottom line ends up being that a title safe issue can often go back to the producer for producer sign-off. If the producer is happy to accept the title position then any issue will be between the broadcaster and the producer in the true spirit of the DPP implementation of the current delivery arrangements.

Exactly how that relates to the current reality of most producers being freelance and not being paid or responsible for that production by the time its at final QC is another matter altogether.

So where does this leave QC operators and QC departments?
I do my best to encourage a reasonable and consistent approach to the application of your title safe cage. Use common sense around the readability of the content on screen. Be consistent and fair.

But firstly, remember that you may not be working to the current spec. A broadcast commission is issued with a tech spec and the delivery spec is that spec issued at that time. So all QC checks have to be related to the commissions spec unless you work to an overriding spec.
Often a call to the broadcaster can clarify that the current delivery spec can be applied unless they have a particular reason to apply the commissioned spec.

So when you are sure what spec you are checking against and that your title safe cage is correctly setup you can use common sense to determine if titles are safe or not and anything that is unsure the producer can make the final call on.

I'm sure this will continue to be a topic for discussion in my QC courses for years to come but hopefully we can move to a position where everyone involved in the creation of titles and captions can use common sense and we can avoid needless rejections, lost time and incurred costs.

Pat Horridge VET Training
Solidmate Ltd Memory Card Hire London

Top Related Stories
Click here for the latest broadcast news stories.

NFTS Opens 4K Digital Content Training Studio & Hub
The National Film and Television School (NFTS) officially opens the Sony Gallery, which is located in its ground-breaking 4K Digital Content Training
Tektronix Helps Content Creators Solve Critical Challenges
New technologies such as 4K, Wide Color Gamut (WCG) and High Dynamic Range (HDR) allow video content creators to create stunning images and content fo
GMIT Launch Enhanced RelayCaster For Live Content Contribution
GMIT will showcase its newly acquired RelayCaster and CodecCaster products for the first time at IBC2017 since acquiring the technology of Motama GmbH
Spot & Spin To Launch Pay-As-You-Go Content Management Services At NAB
Spot & Spin is to launch its range of pay-as-you-go content management services at the the 2017 NAB Show in Las Vegas. "Spot & Spin gives film and tel
Avid Integrates MediaCentral® Content Platform With CGI's OpenMedia
Avid® has announced the integration of its MediaCentral® content platform with CGI's OpenMedia, a complete solution for journalistic workflows. With i
Object Matrix To Demonstrate Digital Content Governance Solutions
Object Matrix will be demonstrating its Digital Content Governance solutions at the Society of Motion Picture and Television Engineers (SMPTE) in Sydn
AZPBS Deploys Interra Systems BATON File-Based QC Platform
Interra Systems has announced that Arizona PBS (AZPBS) is using its BATON file-based quality control (QC) platform to increase the scalability, flexib
DMC Deploys Interra Solution To Improve QC Operations
Egyptian media company DMC has deployed Interra Systems' BATON® file-based QC solution to improve its QC operations. The solution brings increased sca
Flame Distribution Implements QUALES QC
EditShare has confirmed that Flame Distribution has implemented QUALES QC as part of its distribution workflow. Faced with a burgeoning workload of in
EditShare's QUALES QC Honoured With TV Technology Innovation Award
EditShare has said that they are "proud to close out 2017" with a prestigious TV Technology Product Innovation Award for its automated QC and file ver
Riedel Managed Technology Staff Maintains Safe Social Distancing
Riedel Communications' all-new DisTag distance monitoring device is playing an essential role in the company's gradual resumption of on-site operation
Shutterstock Launches New Brand Campaign
Shutterstock has launched its new brand campaign and TV commercial, 100% Shutterstock. Created solely with Shutterstock content, the TV campaign showc
Actus Digital Unveils New Version Of Its Intelligent Media Monitoring Platform
Actus Digital has unveiled a new version of its intelligent media monitoring platform. The next generation of Actus Digital's platform offers simplifi
Production News : BBC NI Announce New Head Of Content Production
BBC Northern Ireland has announced that Eddie Doyle has been appointed Head of Content Production. The appointment will see Eddie play an integral rol
Really Creative Media Deliver Live Content For Steps' Tour
For Steps' 'Party On The Dancefloor' UK arena tour in 2017, Really Creative Media was tasked with designing the stage content of the show – a celebrat