Broadcast News

Bookmark and Share
06/10/2022

Baselight Creates Colour And VFX For George Miller's Three Thousand Years of Longing

News Image
Baselight colourist and co-founder of Toronto's VFX facility in Toronto, Alter Ego, Eric Whipp, was recently reunited with award-winning director and cinematographer duo, George Miller and John Seale, for the making of Three Thousand Years of Longing, starring Idris Elba and Tilda Swinton.

The movie is a contemporary retelling of the story of a djinn (genie). Renowned cinematographer, John Seale, came out of retirement to shoot the VFX-heavy movie with Miller.

"The Baselight system, used by Eric Whipp at Alter Ego, was a defining factor in attaining the visual mood that the Director George Miller had envisaged for his film," commented Seale.

The process began with set looks off QuickTimes, set in ACES and translated to the full res EXR sequences. The editing took place in Sydney, Australia, while Whipp worked on the grading in Toronto, Canada. The team sent Baselight scenes back and forth from Sydney to Toronto, so that at any time a scene could be opened on the Baselight 2 system in Sydney, and vice versa.

"We moved high-res images across servers and when it came to live sessions, we streamed 4k images to Sydney for George and John in less than three seconds with almost no perceptual compression," explained Whipp.

"Early on in the process the plan was for me to fly to Sydney to sit with George in person, but this was all happening in the middle of COVID and the lockdowns were becoming an issue. So, we looked into different streaming technologies and found a great result."

Every shot of the film presented a unique challenge either in relation to colour specifically or due to heavy VFX requirements and the team turned to Baselight to help achieve their vision.

"There was a huge amount of VFX work in the suite. We created vapour coming off the djinn, sky replacements, 'Djinn vision' FX, and very complicated transitions," commented Whipp. "Due to the way Baselight is architectured, it was possible to do this all in the suite without the need to have VFX involved. This was a bit of a life saver because we were able to keep the grades of the incoming and outgoing shots “live” rather than bake them down and supply to VFX," Whipp added.

"The Baselight grading system was an incredible asset to finessing the images," agreed cinematographer, John Seale. "The visually complex film in flashbacks was aided in the shooting by knowing that grad filtering, vignettes and sun shafts could all be done in post. This was a great saving in time, comfort, and speed of shooting."

The colour team worked closely with the VFX department to achieve the desired outcome. VFX Supervisor, Paul Butterworth, joined the first several colour sessions, so they could collaborate on how best to achieve their goal.

"There were shots where it was clear that the desired look was too complicated for Baselight, and it would need VFX help, and then there were shots where we took the work off the VFX team, because we could achieve it all in the DI Suite," explained Whipp.

"One thing that did play in my head the whole time," Whipp added, "was that this was essentially John Seale's last film. He had decided to officially retire afterwards, so I really wanted to do him justice and make sure people walked away from this film thinking “the visuals were stunning and beautiful”. I hope we achieved that."

Three Thousand Years of Longing was released in theatres globally in August and September 2022.

www.filmlight.ltd.uk
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

15/03/2018
Windmill Lane Colour Department Talk About Their Projects
Dave Hughes and Matt Branton make up two thirds of the Colour department at Windmill Lane in Ireland. Together, they have worked on many projects from
04/10/2019
Artjail Boosts VFX Studios With Baselight Grading Suites
An independent VFX company from New York has added Baselight to its pipeline in an effort to strengthen workflow for complex projects. Artjail has int
02/12/2004
FilmLight ships Baselight Four and Baselight Eight colour grading systems
FilmLight, pioneers of digital film technology, is now shipping its next generation of its Baselight colour grading systems, Baselight Four and Baseli
29/08/2017
Baselight For NUKE Ensures Perfect Colour Compliance
FilmLight, the leading colour science and grading specialist, is introducing a powerful new version of Baselight for NUKE at IBC2017. The plugin for t
01/04/2015
FilmLight Extends BLG Colour Workflow
With the integration of colour grading tools across dailies, editorial, VFX and finishing – using the renderless, metadata-based Baselight Linked Grad
11/01/2019
Baselight STUDENT Enhanced With Creative Advances
Baselight STUDENT, FilmLight's free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software
10/06/2014
Baselight-Graded 'We Are Monster' For Edinburgh Award
We Are Monster, a feature film written and produced by Terra Rossa Films Entertainment and graded on Baselight by Splice, has been nominated for the M
04/04/2016
Baselight Ka-Booms In Belfast
Belfast production and post-production facility Ka-boom has installed a Baselight ONE grading suite with Slate control panel to add to its existing Ba
11/09/2003
FilmLight launches Baselight grading system
FilmLight, pioneers of digital film technology, announced today the worldwide release of Baselight, its advanced digital film grading and finishing sy
09/09/2010
Mwnci Chooses Baselight HD

A Cardiff-based TV post production company has invested in a Baselight HD colour-grading system and Baselight Kompressor from FilmLight, to complement
16/08/2013
FilmLight To Reveal Upgrades At IBC
FilmLight has announced it will showcase the latest upgrades across its range of colour-grading products at this year's IBC show. "The creative toolse
11/11/2015
Success Continues For Baselight Editions
Filmlight's Baselight Editions – a series of plugins which put complex, high quality grading capabilities into popular post tools – is now available,
08/11/2018
FilmLight To Showcase Color Grading And Management Platform
FilmLight has announced it will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own
09/07/2019
BBC Upgrades Post-Production Facility With Baselight System
BBC Scotland's in-house post-production facility in Glasgow has been upgraded using Baselight's latest powerful 4K/HDR toolset. The Baselight system w
07/03/2012
Careers In VFX Encouraged
VFX is the fastest growing component of the UK's burgeoning film industry: however the UK is not producing enough VFX talent to fuel this growth. Two