Broadcast News

Bookmark and Share
04/04/2022

ARRI Unveils Second Generation Of Its TRINITY And ARTEMIS Camera Stabilizers

News Image
ARRI has unveiled a second generation of its TRINITY and ARTEMIS camera stabilizers.

The new modular system has been redesigned down to the smallest detail, incorporating enhancements to camera movement, connectivity, power management, user interface, balance options, and product longevity. A quick and easy upgrade transforms the purely mechanical ARTEMIS 2 into the hybrid TRINITY 2, which adds electronic stabilization for an even wider range of movements and angles.

Designed and built in Germany, the new-generation ARRI stabilizer system enables versatile, creative, and perfectly steady camera moves. Many new features have been implemented, based on customer feedback, making this the most sophisticated camera stabilizer system ever developed. Durable and upgradeable, it offers the longest, most secure return on investment for owner-operators. ARRI nurtures career-long working relationships with stabilizer operators, supporting them with future-proof technology and global service.

For more than 20 years, the original ARTEMIS has been a reliable tool, trusted by the industry. Now the ARTEMIS 2 continues that success story and expands on it through new features and a simple upgrade path to TRINITY 2. Between them, these two rigs cover all applications and on-set requirements, from feature films and TV series to commercials and live broadcasts. Around 80% of the new components for the second-generation system are shared by TRINITY 2 and ARTEMIS 2, illustrating ARRI’s modular approach.

Wide-ranging compatibility is assured through the use of ARRI’s precision-engineered SAM plates, enabling cameras from different manufacturers to be securely and rapidly mounted to the stabilizers. The SAM standard permits fast, tool-free camera switching from either the TRINITY 2 or ARTEMIS 2 to a tripod or ARRI’s stabilized remote heads.

The second-generation battery system has been completely redesigned. A new, modular battery hanger facilitates the most flexible, efficient, and dependable power management ever seen on a camera stabilizer system. Users can choose batteries from any manufacturer, anywhere in the world, and no matter what their choice, they will experience intelligently regulated 12 V and 24 V high-capacity power delivery. It is even possible to mix 12 V and 24 V batteries in any combination, using B-Mount, Gold Mount, or V-Mount, with power efficiency holding steady at an industry-leading 95%.

In addition to the standard center post, two new post lengths are now available for TRINITY 2 and ARTEMIS 2, as well as for both first-generation stabilizers. The longer Super Post allows more extreme camera positions and angles, either higher up or further out from the operator’s body. The Shorty Post is suited to fast, agile work or space-constrained locations, and will be especially useful with the compact ARTEMIS 2.

The new sled, consisting of a rock-solid bottom stage, battery hanger, 19 mm rods, and the new battery mounts, makes the lower section of the second-generation ARRI stabilizers more versatile and much sturdier. Rods are available in carbon, aluminum, or steel, giving operators additional counterweight opportunities when balancing their rigs. As well as accepting a wider range of monitors, the new monitor bracket is also rod-mounted and can slide in and out to provide even greater balancing freedom.

Both ARRI and long-time valued technology partner FoMa Systems have drawn on operator feedback to set a new high standard for body-mounted stabilization with TRINITY 2. New camera moves are possible, including 360-degree rotation on the lens axis. Expanded LBUS connectivity enables the use of controllers designed for ARRI’s stabilized remote heads, opening up modern, digitally interconnected workflows. A new LBUS-based Master Grip TRINITY allows fingertip control of key functions, while the super-fast processor in the new touchscreen remote control permits standalone system startup and on-the-fly adjustments. Additional accessory interfaces and 12G video connectivity increase rigging options and future-proof monitoring capabilities.

TRINITY 2 and ARTEMIS 2 are career investments for industry professionals. As ARRI products, they are tested to extremes and built for a lifetime of reliable service. As creative tools, they equip filmmakers with unprecedented visual dexterity and progress the language of cinema.

www.arri.com
Solidmate Ltd Memory Card Hire London

Top Related Stories
Click here for the latest broadcast news stories.

26/07/2017
Telemetrics Announce IBC2017 Showcase
Telemetrics has announced that it will display its latest systems and solutions — some for the first time in Europe — for proven ROI and increased pro
15/07/2016
ARRI Takes Over Artemis Camera Stabilization Systems
ARRI has taken over the artemis range of camera stabilizers from Sachtler/the Vitec Group and at NAB 2016 demonstrated an improved version of the grou
26/04/2017
Vislink Unveils All-New HCAM, HEVC 4K UHD Camera Transmitter
xG Technology has announced that its Vislink and IMT business units, the new HCAM, HEVC 4K UHD camera transmitter, will be unveiled at NAB 2017. Coinc
12/06/2015
New Partnerships, New Solutions And Treading New Territory At NAB, Pt 1
Looking back at NAB, Hans Hoffman, the EBU's Programme Manager of media technology and innovation, believes that the number one finding was the indust
12/06/2015
New Partnerships, New Solutions And Treading New Territory At NAB, Pt 2
Continued from Part 1... Panasonic, somewhat swamped by Canon space wise, led with the P2 Cast cloud-based news production system (Dalet had put up a
18/09/2017
Sony's New Camera: The VENICE
Sony has finally unveiled full details of the VENICE, their first full frame digital cinema camera system hailed as the next generation in CineAlta. B
17/05/2017
New Firmware For JVC GY-LS300 Camera
JVC has announced the Version 4.0 firmware upgrade for its popular GY-LS300 4KCAM Super 35 handheld camcorder. This increases colour resolution to 4:2
03/05/2017
AJA Video Systems Unveils New Features Of RovoCam Camera System
AJA Video Systems has unveiled new features of its RovoCam Camera System. At NAB 2017, the company revealed details of its RovoCam compact block camer
06/10/2008
New Composer And New Camera Feature In LA
The AM Film Festival will open at the end of the month in Los Angeles and new horror film 'S.N.U.B' from Angry Badger Films will be shown at the event
04/08/2017
Dalet Showcases Latest Advancements At IBC2017
Dalet Digital Media Systems, a leading provider of solutions and services for broadcasters and content professionals, will be unveiling several new te
18/01/2019
Panavision And Light Iron Collaborate With Filmmakers
As entertainment industry luminaries prepare to swarm Park City for the Sundance Film Festival, Panavision and Light Iron have announced their collabo
19/10/2017
Camera Corps Unveils The New Qx
Camera Corps has previewed the new Qx miniature robotic pan/tilt/zoom/focus camera head at NAB Show NY this week. The Qx incorporates features of the
19/05/2017
Welcome To The City Of Lights...
Known as the City of Lights and the 'Entertainment Capital of the World', Las Vegas was home to the broadcast industry last month as the 2017 NAB Show
16/09/2010
Sachtler Launch Artemis Cine HD Pro
Sachtler launched the new artemis Cine HD Pro for professional film productions and digital cinematography at IBC 2010. The new artemis Cine HD Pro is
17/12/2018
PRO TV Invests In Sony's New HDC-3500 Live Production Camera
PRO TV is the first European customer for Sony's new HDC-3500 live production camera. PRO TV has invested in eight HDC-3500 camera chains that will be