Broadcast News

Bookmark and Share
04/04/2022

ARRI Unveils Second Generation Of Its TRINITY And ARTEMIS Camera Stabilizers

News Image
ARRI has unveiled a second generation of its TRINITY and ARTEMIS camera stabilizers.

The new modular system has been redesigned down to the smallest detail, incorporating enhancements to camera movement, connectivity, power management, user interface, balance options, and product longevity. A quick and easy upgrade transforms the purely mechanical ARTEMIS 2 into the hybrid TRINITY 2, which adds electronic stabilization for an even wider range of movements and angles.

Designed and built in Germany, the new-generation ARRI stabilizer system enables versatile, creative, and perfectly steady camera moves. Many new features have been implemented, based on customer feedback, making this the most sophisticated camera stabilizer system ever developed. Durable and upgradeable, it offers the longest, most secure return on investment for owner-operators. ARRI nurtures career-long working relationships with stabilizer operators, supporting them with future-proof technology and global service.

For more than 20 years, the original ARTEMIS has been a reliable tool, trusted by the industry. Now the ARTEMIS 2 continues that success story and expands on it through new features and a simple upgrade path to TRINITY 2. Between them, these two rigs cover all applications and on-set requirements, from feature films and TV series to commercials and live broadcasts. Around 80% of the new components for the second-generation system are shared by TRINITY 2 and ARTEMIS 2, illustrating ARRI’s modular approach.

Wide-ranging compatibility is assured through the use of ARRI’s precision-engineered SAM plates, enabling cameras from different manufacturers to be securely and rapidly mounted to the stabilizers. The SAM standard permits fast, tool-free camera switching from either the TRINITY 2 or ARTEMIS 2 to a tripod or ARRI’s stabilized remote heads.

The second-generation battery system has been completely redesigned. A new, modular battery hanger facilitates the most flexible, efficient, and dependable power management ever seen on a camera stabilizer system. Users can choose batteries from any manufacturer, anywhere in the world, and no matter what their choice, they will experience intelligently regulated 12 V and 24 V high-capacity power delivery. It is even possible to mix 12 V and 24 V batteries in any combination, using B-Mount, Gold Mount, or V-Mount, with power efficiency holding steady at an industry-leading 95%.

In addition to the standard center post, two new post lengths are now available for TRINITY 2 and ARTEMIS 2, as well as for both first-generation stabilizers. The longer Super Post allows more extreme camera positions and angles, either higher up or further out from the operator’s body. The Shorty Post is suited to fast, agile work or space-constrained locations, and will be especially useful with the compact ARTEMIS 2.

The new sled, consisting of a rock-solid bottom stage, battery hanger, 19 mm rods, and the new battery mounts, makes the lower section of the second-generation ARRI stabilizers more versatile and much sturdier. Rods are available in carbon, aluminum, or steel, giving operators additional counterweight opportunities when balancing their rigs. As well as accepting a wider range of monitors, the new monitor bracket is also rod-mounted and can slide in and out to provide even greater balancing freedom.

Both ARRI and long-time valued technology partner FoMa Systems have drawn on operator feedback to set a new high standard for body-mounted stabilization with TRINITY 2. New camera moves are possible, including 360-degree rotation on the lens axis. Expanded LBUS connectivity enables the use of controllers designed for ARRI’s stabilized remote heads, opening up modern, digitally interconnected workflows. A new LBUS-based Master Grip TRINITY allows fingertip control of key functions, while the super-fast processor in the new touchscreen remote control permits standalone system startup and on-the-fly adjustments. Additional accessory interfaces and 12G video connectivity increase rigging options and future-proof monitoring capabilities.

TRINITY 2 and ARTEMIS 2 are career investments for industry professionals. As ARRI products, they are tested to extremes and built for a lifetime of reliable service. As creative tools, they equip filmmakers with unprecedented visual dexterity and progress the language of cinema.

www.arri.com
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

15/07/2016
ARRI Takes Over Artemis Camera Stabilization Systems
ARRI has taken over the artemis range of camera stabilizers from Sachtler/the Vitec Group and at NAB 2016 demonstrated an improved version of the grou
10/01/2024
ARRI Launches TRINITY Live
ARRI has launched TRINITY Live, continuing its commitment to providing specialist tools that bring a cinematic aesthetic to broadcast applications. Ra
12/06/2015
New Partnerships, New Solutions And Treading New Territory At NAB, Pt 2
Continued from Part 1... Panasonic, somewhat swamped by Canon space wise, led with the P2 Cast cloud-based news production system (Dalet had put up a
12/06/2015
New Partnerships, New Solutions And Treading New Territory At NAB, Pt 1
Looking back at NAB, Hans Hoffman, the EBU's Programme Manager of media technology and innovation, believes that the number one finding was the indust
16/09/2010
Sachtler Launch Artemis Cine HD Pro
Sachtler launched the new artemis Cine HD Pro for professional film productions and digital cinematography at IBC 2010. The new artemis Cine HD Pro is
06/10/2008
New Composer And New Camera Feature In LA
The AM Film Festival will open at the end of the month in Los Angeles and new horror film 'S.N.U.B' from Angry Badger Films will be shown at the event
01/03/2006
Polatis release new series of products for routing signals
Polatis, a supplier of high performance optical switch products, has released a new series of products for routing signals in the rapidly growing high
02/06/2023
Wooden Camera Launches New Elite Accessory Camera System
Wooden Camera has announced the new Elite Accessory System for ARRI ALEXA 35: a series of camera cage components designed to provide a flexible, full-
16/09/2009
Blackmagic Design Releases Software Update
Blackmagic Design has announced the immediate availability of DeckLink 7.3 with loads of features for the video professional. DeckLink 7.3 is a free u
21/04/2023
Qvest Strengthens Position In Australia And New Zealand
Qvest is strengthening its position in Australia and New Zealand through the integration of tm stagetec systems. With the new Qvest Australia hub, the
19/04/2023
Avid Launches New Partner Program
Avid® has launched a new partner program, Works with Avid On Demand, that enables customers to expand their workflow capabilities through a growing ra
14/09/2018
Sony Expands HDC Family With New Live Production System Cameras
Sony has expanded its HDC family with the reveal of four new live production system cameras at IBC. The next generation of system cameras (HDC-P50, HD
07/12/2023
Videosys Broadcast Announces New Features For Its Camera Control Products
Videosys Broadcast has announced a range of new features for its camera control products including its flagship Epsilon 4K base station Camera Control
04/06/2015
Lights, Cameras, Action At Cine Gear Expo
Lights, cameras and action is the name of the game at this year's Cine Gear Expo, which opens on Friday 5 June at Paramount Studios in Hollywood, Cali
10/05/2013
Gearhouse Broadcast & Hitachi Hit The Road
"Ever since we announced our partnership with Hitachi interest in these superb HDTV cameras has been exceptionally high. Now, through our national roa