Broadcast News
09/11/2012
Blancanieves Chosen To Represent Spain For Best Foreign Language Film Oscar
As featured in The Hollywood Reporter, director Pablo Berger's stunning film titled Blancanieves, which was finished using SGO's Mistika at IMASBLUE, has been chosen to represent Spain for the 85th Academy Award for Best Foreign Language Film Oscar nomination entry.
Mistika was used extensively at Spanish-based post house IMASBLUE from the outset of the project throughout the entire post production process of the film. The Spanish Academy of Motion Picture Arts and Sciences members chose Blancanieves from a three-film short-list, which is a rewarding testament to SGO and IMASBLUE's high calibre of creativity combined with technological expertise. Blancanieves also recently won Special Jury Prize and the Best Actress "Silver Shell" Award for Macarena García at the 2012 San Sebastián International Film Festival.
Produced by Arcadia Motion Pictures and co-produced by Noodles Productions and Arte France Cinema for Dreamcatcher, Blancanieves is an adaptation of the classic fairy tale of "Snow White" written by the Grimm Brothers. Set in a romantic vision of 1920s Andalusia, the silent black-and-white Spanish film raises the profile of European silent films of a bygone era.
Spain's IMASBLUE is an award-winning post production facility covering film, television and commercials, renown for receiving numerous Goya Awards. With the success of projects that include Salvador Puig Antich, Camino, Pa Negre, amongst many others, IMASBLUE is pushing new boundaries with Mistika, helping to produce stunning European productions of the quality more usually the domain of big budget Hollywood blockbusters.
After being captured on Canon 5D and Go Pro digital cameras, Blancanieves was then post produced at 2K on a 1.85 format, and relied significantly on IMASBLUE's SGO Mistika systems to deliver dramatic cinematic results. In line with excellent direction and outstanding acting performances, the film's success reflects the exceptional facilities at IMASBLUE and their talented Mistika artists.
Mistika's involvement included intensive camera tests to create the stylised filmic look the movie would finally adopt. Once shot and edited, IMASBLUE post produced the whole film using Mistika, which included the conform of all the visual effects, as well as over 500 shots that required detailed quality control (QC), before being scanned and distributed to various post production areas within the facility.
Prior to the visual effects supervision and approvals process, the material was re-conformed at IMASBLUE in Mistika. After the pre-VFX DI phase, layers were then used to integrate the approved effects accordingly, to tie-in with the film's iconic black-and-white historic mode and “feel”. Final results were then checked by the Director using an LUT, to depict a similar visual aspect of how the film would appear in reality. The high quality processing that Mistika provided ensured that the final look exactly matched those of the director's ideas. With challenging story-telling colour tools in shades of black and white, clever use of grading feature-sets were available in Mistika to help recreate the required mood. Mistika enabled the interpretation of the director's vision to be aesthetically realized.
Ferrán Piquer, Visual Effects Supervisor at IMASBLUE explains: "Thanks to Mistika we managed to accelerate lab deliveries for the movie's final conform. Owing to SGO’s Mistika system workflow being really agile, it allowed us to make final adjustments on shots from different platforms, without the need to send them back to VFX."
Every year, since 1956, the Academy of Motion Picture Arts and Sciences calls for international film industries to select their best feature-length film for the Academy Award for Best Foreign Language Film. The award is presented annually by the Academy to a film produced outside of the US. The Foreign Language Film Award Committee manages the process and reviews the entries. Nine finalists will be short listed in January, with the final five nominees to be announced on 10 January 2013.
The film trailer can be viewed at here
www.imasblue.es/en/what-we-do
Mistika was used extensively at Spanish-based post house IMASBLUE from the outset of the project throughout the entire post production process of the film. The Spanish Academy of Motion Picture Arts and Sciences members chose Blancanieves from a three-film short-list, which is a rewarding testament to SGO and IMASBLUE's high calibre of creativity combined with technological expertise. Blancanieves also recently won Special Jury Prize and the Best Actress "Silver Shell" Award for Macarena García at the 2012 San Sebastián International Film Festival.
Produced by Arcadia Motion Pictures and co-produced by Noodles Productions and Arte France Cinema for Dreamcatcher, Blancanieves is an adaptation of the classic fairy tale of "Snow White" written by the Grimm Brothers. Set in a romantic vision of 1920s Andalusia, the silent black-and-white Spanish film raises the profile of European silent films of a bygone era.
Spain's IMASBLUE is an award-winning post production facility covering film, television and commercials, renown for receiving numerous Goya Awards. With the success of projects that include Salvador Puig Antich, Camino, Pa Negre, amongst many others, IMASBLUE is pushing new boundaries with Mistika, helping to produce stunning European productions of the quality more usually the domain of big budget Hollywood blockbusters.
After being captured on Canon 5D and Go Pro digital cameras, Blancanieves was then post produced at 2K on a 1.85 format, and relied significantly on IMASBLUE's SGO Mistika systems to deliver dramatic cinematic results. In line with excellent direction and outstanding acting performances, the film's success reflects the exceptional facilities at IMASBLUE and their talented Mistika artists.
Mistika's involvement included intensive camera tests to create the stylised filmic look the movie would finally adopt. Once shot and edited, IMASBLUE post produced the whole film using Mistika, which included the conform of all the visual effects, as well as over 500 shots that required detailed quality control (QC), before being scanned and distributed to various post production areas within the facility.
Prior to the visual effects supervision and approvals process, the material was re-conformed at IMASBLUE in Mistika. After the pre-VFX DI phase, layers were then used to integrate the approved effects accordingly, to tie-in with the film's iconic black-and-white historic mode and “feel”. Final results were then checked by the Director using an LUT, to depict a similar visual aspect of how the film would appear in reality. The high quality processing that Mistika provided ensured that the final look exactly matched those of the director's ideas. With challenging story-telling colour tools in shades of black and white, clever use of grading feature-sets were available in Mistika to help recreate the required mood. Mistika enabled the interpretation of the director's vision to be aesthetically realized.
Ferrán Piquer, Visual Effects Supervisor at IMASBLUE explains: "Thanks to Mistika we managed to accelerate lab deliveries for the movie's final conform. Owing to SGO’s Mistika system workflow being really agile, it allowed us to make final adjustments on shots from different platforms, without the need to send them back to VFX."
Every year, since 1956, the Academy of Motion Picture Arts and Sciences calls for international film industries to select their best feature-length film for the Academy Award for Best Foreign Language Film. The award is presented annually by the Academy to a film produced outside of the US. The Foreign Language Film Award Committee manages the process and reviews the entries. Nine finalists will be short listed in January, with the final five nominees to be announced on 10 January 2013.
The film trailer can be viewed at here
www.imasblue.es/en/what-we-do
Top Related Stories
Click here for the latest broadcast news stories.
08/08/2012
Mistika IBC2012 Preview
At IBC 2012, SGO will be presenting its phenomenal world-leading line of powerful Mistika DI and Stereo 3D production solutions that are radically tra
Mistika IBC2012 Preview
At IBC 2012, SGO will be presenting its phenomenal world-leading line of powerful Mistika DI and Stereo 3D production solutions that are radically tra
25/01/2011
Chroma Film & TV Invests In SGO's Mistika For Stereoscopic 3D Projects
In order to provide its clients with an advanced and highly efficient 2D and stereoscopic 3D work-flow, Hamburg-based Chroma Film & TV, one of Germany
Chroma Film & TV Invests In SGO's Mistika For Stereoscopic 3D Projects
In order to provide its clients with an advanced and highly efficient 2D and stereoscopic 3D work-flow, Hamburg-based Chroma Film & TV, one of Germany
15/08/2011
Mistika's Creative Product Line Comes To IBC
Along with showcasing the Mistika range of powerful DI, 2D and Stereo 3D workflow solutions at IBC, including Mistika Live, Mistika On-Set & Mistika F
Mistika's Creative Product Line Comes To IBC
Along with showcasing the Mistika range of powerful DI, 2D and Stereo 3D workflow solutions at IBC, including Mistika Live, Mistika On-Set & Mistika F
25/07/2011
New Zealand's Park Road Post Chooses SGO Mistika
With production now in motion on Peter Jackson's two-film adaption of J.R.R. Tolkien's The Hobbit, SGO has announced that Oscar award-winning New Zeal
New Zealand's Park Road Post Chooses SGO Mistika
With production now in motion on Peter Jackson's two-film adaption of J.R.R. Tolkien's The Hobbit, SGO has announced that Oscar award-winning New Zeal
15/01/2016
Edit Studios Utilises SGO's Mistika
Edit Studios, based in Tel Aviv, has selected SGO's Mistika for its colour-finishing capabilities to grade Baba Joon, which was recently named best fi
Edit Studios Utilises SGO's Mistika
Edit Studios, based in Tel Aviv, has selected SGO's Mistika for its colour-finishing capabilities to grade Baba Joon, which was recently named best fi
10/05/2013
Canada Polytechnic Invests In SGO Mistika
NAIT, the second largest Polytechic in Canada, which specialises in engineering, media and applied research, has invested in SGO's Mistika. NAIT DMIT
Canada Polytechnic Invests In SGO Mistika
NAIT, the second largest Polytechic in Canada, which specialises in engineering, media and applied research, has invested in SGO's Mistika. NAIT DMIT
14/09/2010
SGO Launches Mistika Live At IBC
SGO has launched Mistika Live, its powerful new stereoscopic 3D production tool at IBC 2010. Mistika Live was recently used in the impressive live ste
SGO Launches Mistika Live At IBC
SGO has launched Mistika Live, its powerful new stereoscopic 3D production tool at IBC 2010. Mistika Live was recently used in the impressive live ste
28/03/2012
SGO Mistika Leads Innovation With New Performance & Advanced Tools
SGO will present dynamic range of powerful Mistika DI and stereo 3D workflow solutions and systems at NAB 2012. Mistika provides a complete suite of f
SGO Mistika Leads Innovation With New Performance & Advanced Tools
SGO will present dynamic range of powerful Mistika DI and stereo 3D workflow solutions and systems at NAB 2012. Mistika provides a complete suite of f
29/05/2013
SGO Mistika Selected For IMAX 3D
SGO's Mistika has been selected by Digimage Cinema for post production including colour grading of the new film from French director Jean-Pierre Jeune
SGO Mistika Selected For IMAX 3D
SGO's Mistika has been selected by Digimage Cinema for post production including colour grading of the new film from French director Jean-Pierre Jeune
16/03/2010
SGO Hits NAB With Mistika Showcase
SGO will be showcasing the Mistika Post Production System and making some special announcements at their booth, SL4511, South Hall near the 3D Pavilio
SGO Hits NAB With Mistika Showcase
SGO will be showcasing the Mistika Post Production System and making some special announcements at their booth, SL4511, South Hall near the 3D Pavilio
23/07/2009
Cannes Award-winning Film Post Produced With SGO Mistika
One of the leading European developers of high-end solutions for the post production and broadcast markets, SGO, has announced that new feature film e
Cannes Award-winning Film Post Produced With SGO Mistika
One of the leading European developers of high-end solutions for the post production and broadcast markets, SGO, has announced that new feature film e
11/04/2017
SGO Unveils New Integrated Workflow Concept
At NAB Shot 2017, Booth SL4227, SGO will introduce a new integrated workflow concept, as well as launch solution-based applications using Mistika tech
SGO Unveils New Integrated Workflow Concept
At NAB Shot 2017, Booth SL4227, SGO will introduce a new integrated workflow concept, as well as launch solution-based applications using Mistika tech
07/02/2013
Studio l'Equipe Relies On Mistika For Colour Grading Toolsets
As part of the on-going expansion of digital acquisition, Brussels-based Studio l’Equipe, one of Belgium’s leading post production facilities has inve
Studio l'Equipe Relies On Mistika For Colour Grading Toolsets
As part of the on-going expansion of digital acquisition, Brussels-based Studio l’Equipe, one of Belgium’s leading post production facilities has inve
25/04/2017
SGO Launches Mistika Co-Pilot
SGO has announced the launch of Mistika Co-Pilot – a second seat that acts as an assistant to its current turnkey offering 'Mistika Ultima', at this y
SGO Launches Mistika Co-Pilot
SGO has announced the launch of Mistika Co-Pilot – a second seat that acts as an assistant to its current turnkey offering 'Mistika Ultima', at this y
07/01/2015
PO Group Grades And Finishes Film On Mistika
Post Production Office Group (PO Group) graded and finished American Dreams in China on Mistika. Produced and directed by Hong Kong's Peter Chan, the
PO Group Grades And Finishes Film On Mistika
Post Production Office Group (PO Group) graded and finished American Dreams in China on Mistika. Produced and directed by Hong Kong's Peter Chan, the