Broadcast News Archive for March, 2017
14/03/2017 Really Creative Media Adds To Team
Really Creative Media has expanded its team with the appointment of motion designer Alex Vipond. Vipond will support the company's fashion and music client portfolio. He will work alongside Creati

14/03/2017 SMPTE Unveil 2017 NAB Services
The Society of Motion Picture and Television Engineers (SMPTE) has unveiled details of the events and resources it is offering at the 2017 NAB Show next month. The 2017 NAB Show's 'The Future of C

14/03/2017 Supporting Broadcast 'Business As Usual'
Over the last few years there has been a lot of hype around the new technology required for 4K / UHD program making and the on-going desire to make all broadcast production processes networkable.

14/03/2017 The Bleeding Fingers Custom Music Shop
Founded in 2013, the Bleeding Fingers Custom Music Shop is a joint venture between Extreme Music and Hans Zimmer's RCI Global, blending the talents of Zimmer-trained composers with the undisputed heav

13/03/2017 Axon Takes IP Tools To CABSAT 2017
Axon Digital Design will bring its range of IP products and production tools to CABSAT 2017, Hall 1, Stand D1-20. The company will use CABSAT to unveil the NIO440, a new 8-channel bi-direct

13/03/2017 Best Flight Cases
Best Flight Cases is proud to be the distributor of the F-10 Flight CASE. The F-10 Flight CASE is a flat pack ready to roll case that can be customised to suit multiple applications. This versatil

13/03/2017 GatesAir Secures FM Radio Rollout Project
GatesAir has announced that its FM radio transmission technology has been selected by the Egyptian Radio and Television Union (ERTU) to expand the coverage of its many FM radio services across Egypt.

13/03/2017 JoeCo Appoints New Distributor
JoeCo has announced that Starpoint Distribution is its new distributor in Germany and Austria. Headquartered in Hamburg with more than 20 years' experience, Starpoint is one of the largest distrib

13/03/2017 Projected Image Solutions For Colour Grading
The use of projected images in colour grading environments is a long-established method of viewing grading material in the post-production process. Projection can potentially give the closest poss

13/03/2017 PROVYS: Always The Gold Standard In Broadcast Management
It goes without saying that every broadcaster in the world has to ensure the smooth and efficient control of complex workflows, this being a non-negotiable requirement of any broadcast management syst

13/03/2017 Rental Website Fat Lama Proves Popular With Photographers
Recently featured in the Independent, Fat Lama is the website which lets users rent their belongings to others nearby, with all listings 100% insured. Such items users are listing for rental inclu

10/03/2017 Bexel Deliver Robotic Camera Systems For Docuseries
Bexel has supplied the audio and video equipment for the third season of A&E docuseries '60 Days In'. Produced by Lucky 8 TV, the third season is set inside Fulton County Jail in Atlanta. The late

10/03/2017 Broadcast Equipment Under The Hammer With G J Wisdom
An online auction, offering TV studio, recording, editing and sound equipment for sale, is entering its last few days. The timed auction by G J Wisdom ends on Thursday, 16 March 2017, at 3pm.

10/03/2017 Densitron Welcomes Successful BVE Debut
Densitron has welcomed a successful debut appearance at BVE 2017, having held a number of meeting both on and off the stand. Bruno Recaldini, Managing Director, Densitron UK, said: "We weren't sur

10/03/2017 Extras NI Celebrates 10 Years In The Industry
Extras NI, the Northern Ireland-based extras agency, has celebrated 10 years of successful business in the film and TV industry. Following significant rebranding, Extras NI has now officially rela

10/03/2017 Large UK Presence Heads To CABSAT
It has been announced that a large UK presence will be in attendance at CABSAT later this month, Dubai World Trade Centre, 21 – 23 March. The British Group will see 55 companies working together t

10/03/2017 QED Productions Select Canford Panels
QED Productions has selected Canford panels for a new HD Portable Production Unit (PPU). QED Productions provide a range of audio visual production services – from equipment hire to management of

10/03/2017 The Fiilex K302 Lighting Kit
The K302 is the ideal, travel friendly lighting kit. Comprised of three P360EX lights with soft box included, ideal for ENG, broadcast and film. The P360EX from Fiilex provides you with a highly po

10/03/2017 Transvideo, Aaton Digital To Showcase New Products
Transvideo and Aaton Digital have announced that they will demonstrate their latest products at CABSAT 2017, Dubai World Trade Centre, 21 – 23 March. Transvideo will exhibit the new StarliteRF-a,

09/03/2017 Anton/Bauer Creates New Educational Tools
As the market leader in mobile power solutions, Anton/Bauer is empowering users to make the right decisions regarding their batteries by creating easy-to-read, informative tools, including the Litepan

09/03/2017 Audio-Technica Announces New Distributor
Audio-Technica has announced the appointment of Ertekin Elektronik as its new distributor for professional audio products in Turkey. Based in Istanbul, Ertekin Elektronik was established in 1967 a

09/03/2017 BSI UK Works With 360° Filming
BSI UK, the European business of Broadcast Sports International, has started to work with 360° filming, and has been developing a 360° solution to be integrated into live broadcasts using the company'

09/03/2017 Elstree Launches 'Script To Screen' Workshops
Elstree Film Studios and the Elstree University Technical College have carried out a Script to Screen Workshop as part of the Elstree Studios Film Festival for Schools initiative. Key Stage 2 pupi

09/03/2017 John Bell Joins Riedel Communications
John Bell has been named the new General Manager of Riedel Communications Australia. Bell, who has served as a non-executive director of the Australia division since 2015, will use his management expe

09/03/2017 Reducing Production Costs With Template-Based Solutions
When specialized and smaller broadcasters want to compete in content quality with larger broadcasters, they often find the inherent limitations of budgetary constraints and availability of resources.