Broadcast News

Bookmark and Share
09/09/2005

Autodesk unveil 'What is Real' theme for IBC 2005

Autodesk has unveiled its 'What is Real' themed stand (7.420) to attendees at IBC in Amsterdam on Friday.
Autodesk, perhaps better known for its Discreet product line-up, will showcase its media and entertainment solutions that are designed for broadcasters, film studios and post-production facilities to realise ideas for digital film to high-definition (HD) television and standard-definition video content.
Autodesk will be hosting two events as part of the IBC Digital Cinema Symposium.
The first event will be held on 10 Sept 2005 from 1.30pm to 3pm, during which Andy King of BBC Resources will present on the unique creative capabilities of the digital intermediate (DI) process and discuss the challenges faced in implementing modern DI workflows in HD for broadcast, including data management and process efficiency.
King will show work from the BBC Natural History Unit's upcoming landmark HD documentaries 'Planet Earth' and 'Galapagos'.
On 11 Sept 2005 from 12pm to 1.30pm, Prime Focus’ Parminder Chaddha, DI supervisor and Rohan Desai, colourist, will present on the making of the Bollywood blockbuster film 'Black' and the challenges of working in 2K and 4K. Prime Focus used Autodesk’s Discreet Lustre digital colour grading system on Black.
During IBC, the Autodesk stand will feature demonstrations of groundbreaking work by the following clients: Laboratoires Éclair (France), Stitch Motion Graphics (USA), Royal Cow (Spain), The Chimney Pot (Norway) and Clear Ltd. (UK).
In addition, on 9 Sept 2005 from 6pm to 7pm, Autodesk and Maximum Throughput will be hosting an event at the Autodesk stand to showcase the latest functionality and integration between the two companies’ products.
Maximum Throughput is a networked storage and media management tool developer whose storage solutions deliver SAN-level performance over TCP/IP. To register for this event, please email [email protected].
Autodesk’s IBC stand will be an example of a modern, data-centric media production facility for high-quality, non-compressed film and television post-production. Throughout IBC, Autodesk - with technology partners IBM, SGI, Intel, AMD, ATI and NVIDIA - will give demonstrations of:
  • Flame visual effects system;
  • Discreet Smoke editing/finishing system;
  • Discreet Lustre digital colour grading system;
  • Autodesk Toxik collaborative compositing software;
  • Autodesk 3ds Max animation software;
  • Autodesk Combustion desktop visual effects software;
  • Autodesk Burn background processing solution.
The stand will also feature six demo "pods" at which attendees can learn about the newest versions of Autodesk’s media and entertainment solutions.
Autodesk, www.autodesk.com.
(SP/KMcA)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

28/09/2009
Autodesk Expands Options For Mac Users
Autodesk, a leader in 2D and 3D design, engineering and entertainment software, and Parallels, a worldwide leader in virtualisation and automation sof
12/09/2007
Autodesk Announces 2008 Launches For Latest Version High-End Visual Effects and Finishing Systems
Autodesk has unveiled the 2008 releases of the Autodesk Inferno, Autodesk Flame and Autodesk Flint visual effects systems, as well as the Autodesk Fir
11/01/2006
Autodesk completes acquisition of Alias
Autodesk has completed the acquisition of Alias for cash consideration of $197 million USD. On October 4 2005, Autodesk announced a definitive agreeme
18/01/2007
Autodesk And The Scottish Qualifications Authority Announce Collaboration
Autodesk has entered an agreement with the Scottish Qualifications Authority to collaborate on new digital and ICT curriculum and qualifications for s
21/07/2009
Autodesk Lustre Adoption Grows Across Asia Pacific
Sales of the Autodesk Lustre digital colour-grading system continue to gain momentum across the Asia Pacific region, with key customer wins in Austral
06/04/2007
Autodesk Announces Shipping Of Extension 1 For Effects And Editing Systems
Extension 1 for Autodesk’s visual effects and editing and finishing solutions offers improved workflows through various features and additions such as
23/07/2009
Automotive Design Data Goes 'From CAD To Ad'
The BMW Group has contracted Autodesk Consulting to automate the transformation of design data into marketing assets and create photorealistic, animat
21/04/2009
Smoke & Mirrors London First To Adopt Flare
Within the first hour of NAB 2009, Smoke & Mirrors London purchased two seats of Autodesk Flare - the new software-only creative companion to Autodesk
28/09/2006
Prime Focus UK invest in Clear, VTR and Blue
Soho high-end visual effects and CG animation boutique Clear, VTR, a leading film-scanning, telecine and digital intermediate (DI) house, plus broadca
29/04/2005
Autodesk announce latest in Discreet line-up at NAB
Autodesk opened its 'Greater Than One' exhibition at NAB in Las Vegas to showcase a "powerful product line-up designed to help broadcasters, post-prod
23/06/2005
China Central TV looks to Autodesk solutions for HD broadcasting
Autodesk has announced that China Central Television (CCTV), China’s largest national television network, has expanded its post-production pipeline wi
11/04/2007
Colour Management and Extension 2 Add To Autodesk Lustre Colour Grading
Lustre Colour Management, now included in Autodesk’s visual effects, editing and finishing, and colour grading solutions, ensures that everyone across
25/03/2005
Autodesk re-brands Discreet as Autodesk Media and Entertainment
Autodesk has announced that Discreet has been rebranded as Autodesk Media and Entertainment division. The division will remain dedicated to providing
21/04/2005
Autodesk begins shipping VIZ 2006
Autodesk has begun shipping VIZ 2006, the professional design visualisation software that helps artists realise their ideas through 3D modelling, rend
10/04/2006
Autodesk announces Toxik 2007 software for feature film visual effects
Autodesk has launched 2007, the latest version of its collaborative digital compositing software for feature film production. The software’s robust cr