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Framestore Appoints VFX Supervisor

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Framestore has appointed VFX Supervisor Arek Komorowski to its Vancouver studio.

Komorowski has more than two-decades experience in the industry, and most recently served as a VFX Supervisor at Pixomondo, where his projects included Roland Emmerich's sci-fi movie Moonfall. In his new role at Framestore, Komoroski will be responsible for determining the best creative and technical approaches to creating outstanding visual effects while working closely with world class directors.

"We're thrilled to be welcoming Arek to Framestore," said Naomi Stopa, Head of Studio, Vancouver. "Arek is a highly talented and creative mind, and he joins us as we grow and strengthen our Vancouver team. I look forward to having Arek as a strategic partner, bringing his extensive experience of successfully leading large and complex projects for the world’s biggest studios, to guide our team to deliver extraordinary images and support our clients' vision."

"I am incredibly honoured to join a world-leading VFX studio that I have always admired," Komorowski said. "Framestore produces outstanding work on a wide range of different projects. I look forward to the variety of creative challenges that the projects at Framestore will bring. Working at Framestore is also a great opportunity to learn from the studio’s vast expertise, from its world-class talent team and experts, to its cutting-edge technologies."

Prior to Pixomondo, Komorowski was at Scanline VFX, working on titles such as Terminator: Dark Fate, Black Panther or Aquaman. Previous to Scanline VFX, he spent four years at Method - now fully integrated to Framestore - supervising on titles like Spider-Man: Homecoming and Captain America: Civil War. Komorowski started his career as an artist, first in paint/roto and then as a compositor within several VFX studios, including MPC, Cinesite, and Weta Digital.

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