Broadcast News

Bookmark and Share
28/09/2009

Camera Corps' Robotic Camera Scores At IBC

A leading provider of robotic camera technology for studio and location television production, Camera Corps, has reported a very positive response to its ultra-compact Q-Ball system at IBC 2009.
Camera Corps' Managing Director Laurie Frost said: "As well as winning an accolade from the IBC 'What Caught My Eye' team, Q-Ball was quite literally launched during the show as a key element in the television reconstruction of Charles Darwin's Beagle voyage being produced by Netherlands-based VPRO broadcast network. They set sail in September with five Q-Ball cameras which are being used throughout the nine-month voyage.
"The Q-Balls were chosen for their 1080i-native capability, combined with their compactness, infra-red night-shooting capability and very high-spec robotics. The entire production is being made in HD."
Technical Director Jim Daniels added: "IBC itself proved a very successful event. We talked to production specialists from many areas of the world, including Europe, the CIS and the USA. They all recognised the Q-Ball's creative potential both for point-for-view applications and as a camera that can be placed unobtrusively in a studio set or remote location. Q-Ball and its multicamera control system are particularly well suited to reality shows, allowing a relatively small production crew to control video feeds including full remote pan, tilt, focus and zoom, from many different camera positions."
A full dual-mode HD/SD robotic colour camera with high-precision pan and tilt, the Q-Ball incorporates 10:1 zoom optics and infra-red night-vision capability, all housed in a robust 115 mm diameter sphere machined from solid aluminium. Pan and tilt can be operated at any speed from four seconds to 20 minutes per revolution through an unlimited number of turns. Integral high-precision low-noise motors allow the camera to be repositioned smoothly during live shooting rather than merely between shots.
Weighing just 1.3 kg including mounting shaft, the Q-Ball is designed to allow rapid exterior or interior rigging and de-rigging. It can be operated at any angle with focus controlled manually or automatically. The integral camera incorporates a 1/3 inch 2 megapixel 16:9 CMOS sensor delivering 1080i/720p HD or 625/525 SD, both at 50 or 59.94 Hz and in 16:9 or 4:3 aspect ratio. Signal-to-noise ratio is >50 dB.
The Q-Ball is fully compatible with Camera Corps' range of pan/tilt and CCU controllers. Its interface delivers up to four channels of audio embedded into the SDI feed. It operates from a 9 to 18 V DC power supply. It is available pre-painted to match any required colour scheme, including jungle camouflage.
(KMcA/BMcC)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

23/02/2024
Innovative Production Services Elevates Audio Production With Lawo
Innovative Production Services, a leading provider of cutting-edge event production and OB solutions, has announced the acquisition of the state-of-th
21/04/2023
FOR-A To Showcase NDI®-Compatible Live Video Production Ecosystem
FOR-A is showcasing a fully NDI®-compatible live video production ecosystem at CABSAT 2023 (stand S1-M10, Dubai World Trade Centre, 16 – 18 May). The
21/04/2023
DHD TX2 Ultra-Compact Multitouch Audio Production Mixer To Debut At MPTS
The DHD TX2 ultra-compact multitouch audio production mixer will make its UK exhibition debut at the Media Production & Technology Show (MPTS), Olympi
20/04/2023
Grass Valley Expands Production Switcher Lineup
Grass Valley has announced a new product innovation within its Production Switcher product lineup. Grass Valley production switchers continue to lead
02/06/2023
Wooden Camera Launches New Elite Accessory Camera System
Wooden Camera has announced the new Elite Accessory System for ARRI ALEXA 35: a series of camera cage components designed to provide a flexible, full-
28/02/2024
A Hole In One: LiveU And Disc Golf Remote Production Case Study
Disc Golf may not be a sport immediately familiar to many, but it has a long history dating back as far as the early 1960s. Previously known as frisbe
21/02/2024
Qube Installs PMC Monitors In Four Production Rooms
Qube, the world's first members' studio for musicians, podcasters and content creators, has invested in PMC result6 nearfield monitors for four of its
21/02/2024
Central Control And Magewell Announces Production Integration
Magewell and Central Control (CC) announced that the newest version of the CC's show control application now offers integrated support for two of Mage
08/02/2024
STS Communication's Cutting-Edge Absen LED Installation For Virtual Production
Virtual production (VP) is a filmmaking technique that combines live-action footage with computer-generated imagery (CGI) in real time. VP allows film
08/02/2024
ATG Danmon Completes Television Production System
ATG Danmon has completed a television production system for the Singapore branch of a US-based financial services corporation. The new facility is bei
07/02/2024
Chyron Introduces PRIME 4.9 Live Production Engine
Chyron has announced the introduction of PRIME 4.9, the newest release of the company’s powerful live production engine. Designed to drive the world’s
06/03/2023
FOR-A Supplies HVS-2000 3 M/E Production Switcher
FOR-A has supplied a powerful HVS-2000 3 M/E production switcher to the news studio of the Palestine Broadcasting Corporation. Replacing a life-expire
24/02/2023
KMBC Kansas City Relies On TVU Networks' Live Remote Production Solutions
When it comes to live coverage of the hometown football team's Big Game win and victory parade, fans expect video as dynamic as this year's matchup be
24/02/2023
Gravity Media Boosts Location Post-Production Solution
Gravity Media has announced its advanced location post-production solution in collaboration with Pronology's mRes. This innovative location post solut
20/02/2023
Mo-Sys To Demonstrate Approach To Hybrid Virtual Production Workflows
Mo-Sys Engineering will demonstrate a new hybrid approach to final pixel (ICVFX) virtual shooting at the HPA Tech Retreat (booth 720, Innovation Zone,