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BROADCAST FILM AND VIDEO DIRECTORY
Company Details
Company
VMI.TV Ltd
Address
Unit 7 Victoria Industrial Estate, Victoria Road, Acton
London
W3 6UU
London
W3 6UU
Telephone
020 8922 1222
Fax
020 8711 5105
Website
VMI.TV Ltd broadcast equipment for Hire Page 7
Canon 300/400/600Mm F2.8 Prime EF/PL/B4
Canon F2.8 300mm telephoto prime lens with x1.4 and x2 Extenders
Canon F2.8 300mm telephoto prime lens with x1.4 and x2 Extenders
£149
Canon XF705 MXF 4K Compact Camera
Canon file-based MPEG4 recording to SD/XC cards at 160Mbps (4:2:2) 10 bit for approved 4K UHD HD acquisition.
Canon file-based MPEG4 recording to SD/XC cards at 160Mbps (4:2:2) 10 bit for approved 4K UHD HD acquisition.
£149
Leica/Leitz Macro Prime 90Mm/F2.8
Macro Prime 90mm/F2.8 rehoused Leica lens with PL film mount.
Macro Prime 90mm/F2.8 rehoused Leica lens with PL film mount.
£149
Nanlux/Nanlite EVOKE 1200 LED Spotlight
An extraordinarily punchy LED COP spotlight with an output comparative with an ARRI M18 HMI, whilst only drawing 1.2KW (50% less power). A massive Fresnel lens, makes for a very bright source too and
An extraordinarily punchy LED COP spotlight with an output comparative with an ARRI M18 HMI, whilst only drawing 1.2KW (50% less power). A massive Fresnel lens, makes for a very bright source too and
£149
Ronford Baker 3Ft (0.9M) Slider
Ronford Baker 3ft slider kit - requires heavyweight legs or bazooka for operation - suitable for all cameras.
Ronford Baker 3ft slider kit - requires heavyweight legs or bazooka for operation - suitable for all cameras.
£149
Infinity Photo-Optical Infiniprobe TS160 Robusto Probe/Specialist Lens PL/EF Mount With Flipr Correc
The Infiniprobe TS-160 is a lens like no other. Based on telescope and microscope principles, can focus from infinity to only millimetres from an object and produce world-class images comparable to th
The Infiniprobe TS-160 is a lens like no other. Based on telescope and microscope principles, can focus from infinity to only millimetres from an object and produce world-class images comparable to th
£144
Cooke S4i 100Mm T2.1
Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide selection of focal lengths.
Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide selection of focal lengths.
£143
Cooke S4i 27Mm T2.1
Cooke S4i 27mm T2.1 prime PL mount. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
Cooke S4i 27mm T2.1 prime PL mount. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
£143
Cooke S4i 35Mm T2.1
Cooke S4i 35mm T2.1 prime PL mount. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
Cooke S4i 35mm T2.1 prime PL mount. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
£143
Cooke S4i 40Mm T2.1
Cooke S4i 40mm T2.1 prime PL mount. 110mm Front lens diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
Cooke S4i 40mm T2.1 prime PL mount. 110mm Front lens diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
£143
Cooke S4i 65Mm T2.1
Cooke S4i 65mm T2.1 prime PL mount. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
Cooke S4i 65mm T2.1 prime PL mount. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide sele
£143
Leica/Leitz Summicron-C 100Mm T2.0
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
£143
Leica/Leitz Summicron-C 135Mm T2.0
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
£143
Leica/Leitz Summicron-C 15Mm T2.0
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
£143
Leica/Leitz Summicron-C 21Mm T2.0
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
£143
Leica/Leitz Summicron-C 29Mm T2.0
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
£143
Leica/Leitz Summicron-C 40Mm T2.0
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
Leitz Summicron-C PL prime lenses cover a 36mm circle, so whilst not quite Full Frame, this is larger than S-35 and feature a T2.0 aperture in PL mount. As such, they fully cover Alexa Open Gate and l
£143
Tiffen PV IR-ND Set (0.3-1.5)
5.65x4PV combination IR cut and ND Filter includes 0.3, 0.6, 0.9, 1.2 and 1.5 as standard.
5.65x4PV combination IR cut and ND Filter includes 0.3, 0.6, 0.9, 1.2 and 1.5 as standard.
£143
Canon C70 4K EOS Camcorder With EF And RF Mount
Extremely compact and lightweight cinema EOS camera with EF mount, though a native RF mount can be requested. Compatible adapters to fit EF mount lenses are also available.
Extremely compact and lightweight cinema EOS camera with EF mount, though a native RF mount can be requested. Compatible adapters to fit EF mount lenses are also available.
£142
DJI Transmission Combo Kit With Ronin 4D Handgrips
DJI Transmission evolves from the established DJI aerial video transmission technology, delivering an integrated solution that combines a video receiver, monitor, controller, and recorder. It is desig
DJI Transmission evolves from the established DJI aerial video transmission technology, delivering an integrated solution that combines a video receiver, monitor, controller, and recorder. It is desig
£140
Nanlux/Nanlite EVOKE 900C LED Spotlight
This is the full colour version of the popular Nanlux Evoke 1200. The Nanlux Evoke 900C features a six-colour mix system, so is capable of very accurate full-colour output, though obviously this will
This is the full colour version of the popular Nanlux Evoke 1200. The Nanlux Evoke 900C features a six-colour mix system, so is capable of very accurate full-colour output, though obviously this will
£140
ARRI MB28 6×6 Prod. Matte Box
The Arri MB-28 swing-away matte box comes with two sliding trays and one geared tray. All three are 6.6 x 6.6 format. The matte box is mounted with a 19mm bracket and supplied with a set of mattes, s
The Arri MB-28 swing-away matte box comes with two sliding trays and one geared tray. All three are 6.6 x 6.6 format. The matte box is mounted with a 19mm bracket and supplied with a set of mattes, s
£138
Cinematography Electronics Cinetape
Industry-standard ultrasonic digital distance measuring system.
Industry-standard ultrasonic digital distance measuring system.
£138
Cooke S4i 135Mm T2.1
Cooke S4i 135mm PL mount T2.1. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide selection
Cooke S4i 135mm PL mount T2.1. 110mm lens front diameter. Industry acclaimed Cooke S4/i lenses are the goto lens for many drama and feature productions. They cover S-35 and have a very wide selection
£138
Duclos 11-16Mm/T2.8 PL Variable Prime
Duclos 11-16mm Short PL Zoom Lens. This is a zoom but the limited range actually makes it more of a variable wide angle film prime.
Duclos 11-16mm Short PL Zoom Lens. This is a zoom but the limited range actually makes it more of a variable wide angle film prime.
£138
Easyrig Vario 5 Womens Gimbal Flex/Cinemaflex (5-17Kg)
This is an Easyrig anatomically designed for the female form. Identical to the conventional Vario 5 and able to support cameras/gimbals weighing from 5-17kg, the Easyrig Vario 5 Womens (Cinemaflex) s
This is an Easyrig anatomically designed for the female form. Identical to the conventional Vario 5 and able to support cameras/gimbals weighing from 5-17kg, the Easyrig Vario 5 Womens (Cinemaflex) s
£138
RED 480GB Minimag SSD Card
RED MINI-MAG data transfer speeds are up to 50% faster on the WEAPON, compared to their speeds on the EPIC DRAGON. Capable of supporting simultaneous R3D and Apple ProRes recording on DSMC2 camera s
RED MINI-MAG data transfer speeds are up to 50% faster on the WEAPON, compared to their speeds on the EPIC DRAGON. Capable of supporting simultaneous R3D and Apple ProRes recording on DSMC2 camera s
£138
RED 960GB (1TB) Minimag SSD Card
RED MINI-MAG data transfer speeds are up to 50% faster on the WEAPON, compared to their speeds on the EPIC DRAGON. Capable of supporting simultaneous R3D and Apple ProRes recording on DSMC2 camera s
RED MINI-MAG data transfer speeds are up to 50% faster on the WEAPON, compared to their speeds on the EPIC DRAGON. Capable of supporting simultaneous R3D and Apple ProRes recording on DSMC2 camera s
£138
Easyrig Vario 5/Cinema Vest (5-17Kg) – Regular Model
The popular Easyrig Vario 5 supports cameras between 5 and 17kg and spreads the weight onto the operators body using a Cinema Vest body harness.
The popular Easyrig Vario 5 supports cameras between 5 and 17kg and spreads the weight onto the operators body using a Cinema Vest body harness.
£137
Blackmagic Pocket Cinema 6K Pro Camera (EF Mount)
A surprisingly high specification 6K S-35 sensor with 13 stops of latitude, built in NDs, high brightness 1500 nit 5 LCD monitor in a really small camera body with RAW capture to internal CF2 cards. N
A surprisingly high specification 6K S-35 sensor with 13 stops of latitude, built in NDs, high brightness 1500 nit 5 LCD monitor in a really small camera body with RAW capture to internal CF2 cards. N
£131
Laowa 24Mm T14 2X Periprobe Lens PL Mount
Like the existing Laowa 24mm Probe lens, just now including a 90 periscope, for more creative freedom.
Like the existing Laowa 24mm Probe lens, just now including a 90 periscope, for more creative freedom.
£131
