Broadcast News

Bookmark and Share
24/10/2017

CallMe – Reliable Contributions From Guests And Reporters

News Image
Using reliable dedicated hardware and software and dedicated broadcast server built for the job.

Whilst free apps might have their place, dedicated software and hardware provide a more reliable solution for Broadcast.

We live in exciting times and we do things now that we would never have even dared dream about a decade ago and for virtually no money – free even. Once connectivity moved from dial-up and the internet became a real-time resource, for the first time allowing streaming from virtually anywhere, applications came along such as Skype when you could talk to the family on the other side of the world – and for nothing (assuming you had the internet) – and with moving pictures. Then with the advent of the SmartPhone, Skype became possible from anywhere, FaceTime came along and everyone had a movie camera in their pocket. Calls might be a bit ropey – the image would often freeze – but it was not bad for free and for that you can put up with quite a lot.

On the other hand, there was a time – and not so very long ago – when in broadcasting even a second of "dead air" was investigated and an apology for "losing the line" was rarely heard. No more; listening even to flagship programmes, contributors can often sound phasey with a bit of an echo, calls drop-out and the content is lost in poor quality. Similarly watching mobile phone footage whilst it may have an immediacy, is fine if it is shot in landscape which fills the screen but when broadcast in a kaleidoscopic "Hall of Mirrors" is again distracting. How much better it would be with a few curated still frames and intelligible audio?

The use of domestic and semi-professional equipment and software can have its place in Broadcast and whilst it can provide immediacy in the absence of something more reliable, using it as-a-rule is broadcasting on-the-cheap and a disappointment.

Having said this, properly integrated, "free" stuff can work well and Vortex takes advantage of the latest browser capabilities with its cloud-based audio codec called CallMe Click-and-Connect. Contributors connect to the studio with high-quality 15kHz audio by simply clicking on a web link in their browser – sent by the studio – which takes them to the station's branded CallMe portal through which they are connected to one of the studio's dedicated codecs. By using a resilient managed CallMe server and reliable back-end codecs far better results with stable connections are the norm, as opposed to trusting the broadcast to a computer which may be running lots of different applications and with indifferent sound.

And on the subject of hardware codecs, it became clear to us that many smaller community and hospital stations simply could not afford even a bottom-end full-blown codec and were relying on the combinations described above. True, it was better than nothing, but how much better if there was a reliable, simple, low-cost IP audio codec available? And that is how CallMe-TS was born (S for Studio); designed as a hardware back-end for CallMe, it sits on the internet at the station and contributors and reporters connect to it using CallMe Click-and-Connect using their mobile phone browser or desktop computer providing live two-way 15kHz stereo audio; maybe not as good as a multi-streaming codec with all the bells-and-whistles but a huge step up from the domestic solution.

Moving on almost by accident, it was suggested that if two CallMe-Ts could connect to each other, it would make an ideal low-cost solution for converting the huge installed base of ISDN Codec/Mixers for use on IP. Instead of dialling over ISDN, the output of the mixer which is well-liked, is fed into a CallMe-T box which connects to the studio over IP. Simples. However, the request was for some "Quick Dial" buttons and CallMe-TR (R for Remote) was born with four buttons that connect to pre-set destinations, making it easy for reporters to connect to the studio without the need to use the CallMe-T's web interface.

So there we have it – three products in one – the CallMe family – all produced to meet customer demand for guests, for reporters – for everyone.

Image: CallMe runs on computer, smartphone or tablet with CallMe-T low-cost studio back-end.

www.vtx.co.uk

This article is also available to read in the October edition of Broadcast Film & Video here, page 10.

(JP/LM)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

18/09/2018
Vortex Unveiling CallMe Cloud Codec & CallMe-T Audio Codecs Upgrades
Vortex is introducing ground-breaking enhancements to its CallMe Cloud Codec and low-cost CallMe-T audio codecs at IBC. A couple of years ago, Vortex
20/10/2016
CallMe – Click-and–Connect Internet Codec Service
CallMe Click-and-Connect is a cost-effective internet service that makes it simple for guest contributors – and reporters – to send broadcast audio ba
12/04/2019
Vortex Introduces SmartStream™ To Its CallMe Low-Cost IP Audio Codecs
Vortex introduced SmartStream™ to its CallMe low-cost IP Audio Codecs at NAB 2019 in Las Vegas and demonstrates CallMe Analytics Server data for Live
08/06/2018
CallMe Reporting "Live"
Whilst Free Apps might have their place, dedicated software and hardware provide a more reliable solution for Broadcast.   We live in exciting times a
20/07/2017
CallMe Provides Broadcasters With Easy-To-Use Audio Over IP
CallMe is a cloud-based communications platform for audio codecs which handles all the complicated stuff and provides the user with a simple click-and
06/12/2018
What's New About CallMe?
So what is new about CallMe? USB Audio, that’s what !!  So what’s the big deal?? Well it means that you can plug in a low-cost USB Mixer or Headset in
04/07/2016
Broadcast Wireless Systems To Unveil New Codec Platform
Broadcast
Wireless Systems has announced that it will unveil its plans for a new H.265/4K video codec platform at IBC 2016. Broadcast Wireless will also demonst
15/08/2016
Vortex At IBC: Helping Broadcasters Get Connected
Vortex will be exhibiting at IBC in September in its usual location – and again as usual, we've been very busy. Vortex is well-known in the field of I
29/11/2019
SIP Connectivity; IP Interoperability Using Public Networks
Thanks to SIP technology – the key to IP connectivity - Broadcasters enjoy the freedom to create unique content from more locations than ever before a
08/07/2022
ATOMOS Cloud Studio Is Now Live
ATOMOS Cloud Studio is live and the first three, highly anticipated products in the new CONNECT range are now shipping worldwide. From big budget digi
20/11/2019
NEP Connect Provides Anylive® Fibre Solutions To UK Broadcast Clients
NEP Connect has provided satellite and Anylive® fibre solutions to major UK broadcast clients to enable global coverage of a host of top-flight women'
26/02/2024
Hitomi Broadcast To Demonstrate Live At NAB 2024
Hitomi Broadcast is to demonstrate live at NAB 2024 (booth SL5080, Las Vegas Convention Center, 14 – 17 April). Visitors will see just how simple it i
13/02/2024
Open Broadcast Systems Supports 100G Networking
Open Broadcast Systems has announced support for 100 Gigabit Ethernet (100G) networking in its low-latency encoders and decoders. This allows for doze
17/04/2023
Ikegami Announces Addition To Its Broadcast-Quality Camera Systems
Ikegami has announced a major addition to its line of broadcast-quality camera systems. Scheduled for introduction on Ikegami’s Central Hall booth C38
30/03/2023
USSI Global To Demonstrate Broadcast And DOOH Convergence
Visitors to the NextGen TV Korean Alliance booth W4126 at NAB 2023 will discover an intriguing proof of concept demonstration powered by USSI Global,