Broadcast News

Bookmark and Share
31/07/2013

David Wright Selects Anton Bauer for Blind Pass

News Image
Award-winning documentary filmmaker David Wright has recently taken on the role of director of photography for Blind Pass, a new independent feature film.
Shooting primarily in Ireland, with additional scenes filmed on location in Florida, Wright selected power solutions from Anton/Bauer for the 16-hour days of shooting.
Dark thriller Blind Pass follows Carrie, a young woman facing the fact that she will soon go blind. She and her therapist travel through Ireland to fulfil her wish of experiencing the country while she still has sight.
In order to deliver quality on a tight budget without expensive grip and lighting packages to complement the RED MX camera, Wright's gear included several Anton/Bauer DIONIC® 90 batteries, various Gold Mount® solutions, a TWQ charger and a back-up Tandem 150 charger.
"Digital technology can be power hungry," he explained.
"That meant turning to my Anton/Bauer battery kit to help me get through shooting incredibly long days and in every kind of inclement weather condition and location, from the back streets of Dublin to the rugged cliffs of Ireland's west coast. Anton/Bauer's reliable, high-capacity and compact batteries were essential."
Wright's battery of choice was the DIONIC 90, which he previously used for a wildlife shoot in the Arctic. The kit consisted of two 1x1 Daylight Floods and a camera-mounted Litepanels Mini. Wright powered the 1x1s through Anton/Bauer's Gold Mount. He used the QRC-EPIC Gold Mount on the RED camera, which was mounted on the MATRIX Cheese Plate. An Anton/Bauer PowerTap Multi adapter was used to draw power from the Gold Mount to run his LP Mini.
"While there are larger-capacity batteries that I also like to use, such as the DIONIC® HD, the compact size and lighter-weight of the DIONIC 90s mean they fit snuggly into a camera bag for travel and are great for handheld camera work," he says. 
Wright always brings a simultaneous, four-battery charger such as the TWQ to shoots to ensure he always has fresh batteries available.
"With the DIONIC 90s in my standard kit, the last thing I want to do after a hard day in the field is get up in the middle of the night to swap out batteries on the charger," he says.
"So for me, my current go-to charger is the Anton/Bauer TWQ. I also take a backup Tandem 150. The TWQ has not failed me yet, but the Tandem 150 allows me to charge a battery and power the camera from mains, when available. So it is like an insurance policy. With a profile smaller than a battery, it attaches to the same Gold Mount on the back of the camera, offering reliability and ease of use."
www.antonbauer.com
(IT/JP)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

02/06/2023
Wooden Camera Launches New Elite Accessory Camera System
Wooden Camera has announced the new Elite Accessory System for ARRI ALEXA 35: a series of camera cage components designed to provide a flexible, full-
16/04/2024
VMI Albert-Certified Carbon-Neutral For 2023
For the second year in a row, VMI becomes Albert-Certified Carbon-Neutral by offsetting its 79.8T of Carbon emissions generated in 2022, in an Albert-
27/02/2024
XL8 Achieves Its TPN Gold Shield Status
XL8 has successfully achieved its Trusted Partner Network (TPN) Gold Shield status for cloud security. MediaCAT, a cloud-based localisation platform,
07/12/2023
Videosys Broadcast Announces New Features For Its Camera Control Products
Videosys Broadcast has announced a range of new features for its camera control products including its flagship Epsilon 4K base station Camera Control
10/04/2024
USSI Global Achieves ST Engineering iDirect 2024 North America Gold Partner Status
USSI Global has achieved the ST Engineering iDirect 2024 North America Gold Partner Status for its broadcast division. USSI Global will manage sales,
15/04/2024
Ikegami USA To Introduce New Additions To Its Broadcast-Quality Production Equipment
Celebrating its 60th Anniversary this year, Ikegami USA will introduce four new additions to its range of broadcast-quality production equipment at th
19/06/2023
Matthews Offers Better Way To Level Up Camera Rigging
Matthews now offers a better way to level up camera rigging with the latest addition to the patented Infinity Arm system. The new interchangeable ARRI
10/04/2024
ARRI Announces ALEXA 35 Live - Multicam System
ARRI has announced the ALEXA 35 Live - Multicam System, making the cinematic image quality of its flagship ALEXA 35 camera available to the world of l
30/08/2023
TNDV Puts New Sony And Panasonic 4K/HD Camera Fleet To Work
TNDV has been putting its new Sony and Panasonic 4K/HD camera fleet to work this summer for high-resolution content acquisition of live and recorded e
22/08/2023
CineArray Launches With New State-Of-The-Art 8-Camera
CVP and specialist asset finance house CVF were instrumental in ensuring CineArray's latest state-of-the-art 8-camera cinematic array based around 8x
31/05/2023
Hitachi Kokusai To Display Camera Systems For AV Applications
Hitachi Kokusai Electric America (Hitachi Kokusai) is to display its wide range of HD/UHD and HDR support for high-quality visual content acquisition
30/05/2023
Ikegami To Debut UHK-X600 IP High-Frame-Rate Camera
Making its Broadcast Asia debut on the Ikegami stand (6C3-01) will be the UHK-X600 IP high-frame-rate camera. Latest addition to Ikegami’s Unicam XE s
25/05/2023
Pixellot Unveils The S3 Camera
Pixellot has unveiled the Pixellot Show S3, the next generation AI-automated sports camera to transform the way sports are captured and streamed. With
24/05/2023
ENCO To Bring Smooth Camera Operation To InfoComm 2023
ENCO is bringing ultra-quiet, smooth camera operation to InfoComm, where the company will exhibit at Booth 3816 (June 14–16, Orlando). The ENCO RUSHWO
17/05/2023
RED DIGITAL CINEMA Univeils KOMODO-X Camera
RED DIGITAL CINEMA® rhas unveiled its KOMODO-X camera, the newest addition to RED's KOMODO line of small form-factor 6K global shutter sensor cameras