Broadcast News

Bookmark and Share
18/07/2013

'Higher Resolution - Do We Need It?'

News Image
The IABM (International Association of Broadcasting Manufacturers) latest Technology Event was entiteled "Higher Resolution — Do We Need It?". Hosted June 6 by IABM Director of Business Development and Technology John Ive, the panel addressed how resolutions beyond HD have caught the imagination of professionals and consumers, as well as the benefits and limitations that such resolutions present from acquisition to production to delivery.
"There is no doubt that high resolution beyond HD was the most talked-about topic at NAB this year, but away from the hype of the industry's largest trade show, we will be discussing the issues that matter," said Ive, introducing the topic and panel.
"It's a controversial topic, coming close on the heels of HD and potentially requiring even more end-user investment. Are we on the curve of diminishing perceived quality benefit? Do consumers really care about quality? These questions and many more make higher resolution far from a done deal."
Panelists included Stan Moote, vice president of business development at Harris Broadcast Communications; Richard Salmon, lead research engineer at the BBC; Alan Bright, director of operations at Presteigne Charter Ltd; Peter Sykes, strategic technology manager, at Sony Professional; and David Crawford, professor at the University of Essex.
It was agreed that sports and "vanity projects" were the leaders in HD. Bright noted similarities and differences in the shift to 4K and other high-resolution formats.
"There is the issue of acquiring the best quality for future-proofing an archive, which is what we experienced before with the upgrade to HD, but unfortunately, 4K is much more limiting than when we moved to HD," he said.
"Factors such as how to acquire it and how to record it, frame rates, depth of field — these sorts of issues are very restrictive at the moment and are not allowing the progression to be the same as it was from SD to HD."
"For me, it's that excitement of a new technology, combined with a commitment to a huge existing customer base," added Sony's Sykes.
"For a manufacturer, the important thing is to allow a step-by-step migration to a new technology at the customer's own pace."
"As we take a look at television and it starts to move a little bit more towards 4K and even 8K, I think there will be a convergence because, ultimately, it allows television people to start doing film-type productions, and vice versa," said Moote, discussing the shift of both film and broadcast industries toward higher resolutions.
"As far as equipment manufacturers go, this is a very important aspect to think about because it actually opens up new markets."
www.theiabm.org
(IT/JP)
VMI.TV Ltd

Top Related Stories
Click here for the latest broadcast news stories.

15/04/2024
Ikegami USA To Introduce New Additions To Its Broadcast-Quality Production Equipment
Celebrating its 60th Anniversary this year, Ikegami USA will introduce four new additions to its range of broadcast-quality production equipment at th
05/04/2024
SipRadius Brings A Revolution In High Quality Video Delivery
SipRadius has brought about a revolution in high quality video delivery by creating the world's first practical live AV1 encoder. It has also implemen
18/04/2023
Brompton Technology To Demonstrate TrueLight® At NAB 2023
Brompton Technology is set to make history at the highly anticipated NAB Show in Las Vegas by demonstrating its game-changing innovation, TrueLight®,
24/11/2008
Australia's TEN Standardises On Snell & Wilcox Alchemist Ph.C - HD For Conversion Of Overseas HD Content
Snell & Wilcox has announced that Australia's Network Ten (TEN) has installed a second Alchemist Ph.C-HD motion compensated frame-rate standards conve
16/03/2023
Imagine To Demonstrate Technology Innovations At NAB 2023
Imagine Communications is to demonstrate its latest technology innovations, business-driving thought leadership and strong industry partnerships at NA
15/03/2023
Caton Technology Partners With Osprey Video
Caton Technology has teamed up with Osprey Video to provide an integrated encoder and decoder which connects direct to IP circuits using Caton Transpo
19/05/2004
Canopus unveils EDIUS HD at Broadcast Production Show
Canopus have previewed their high definition editing system, EDIUS HD at the Broadcast Production Show. EDIUS HD offers real-time mixed HD/SD editing
29/04/2004
Apple unveils Final Cut Pro HD
Apple have unveiled Final Cut Pro HD, the latest version of Apple's Emmy award-winning editing software, now with the real-time performance of high-qu
08/04/2005
Gefen unveils HD SDI connectivity and conversion solutions for AV and broadcast sectors
New HD serial data interface (HD SDI) equipment on display at NAB from Gefen include a 4x2 HD SDI Switcher, 1:4 HD SDI Splitter, HD SDI to DVI Convert
27/04/2005
Inscriber pursues 'complete' on-air HD graphics solutions
Inscriber launched a complete line-up of HD graphic solutions for the broadcast, cable, satellite and post-production industries at NAB. Inscriber hai
09/06/2014
4K OK? Understanding UltraHD... (Pt 1)
In a bid to get his head around the intricacies of 4K format ahead of this summer's landmark broadcasting event, editor Iain Todd spoke to some indust
04/06/2014
BroadcastAsia2014: 4K To Transform Onscreen Viewing
HD (high definition) viewing will soon be a technology of the past, as a result of the proliferation of 4K coming Asia's way. 4K, also commonly known
13/05/2011
Vaddio Announces DomeVIEW HD Series Dome Enclosures For HD-20/HD-18 Cameras
Vaddio has announced the DomeVIEW HD Series Dome Enclosures for ClearVIEW HD-20 and HD-18 PTZ cameras , which provide integrators with a secure camera
02/06/2009
Snell's Alchemist Ph.C - HD Drives Launch Of Canal+ HD, Spain's First HD Channels
The new company formed through the merger of Pro-Bel and Snell & Wilcox, Snell, has announced that leading Spanish pay television company Canal Satéll
09/06/2014
4K OK? Understanding UltraHD... (Pt 2)
"The latest workstations and professional laptops are now up to the task of 4K content creation and NLE developers are all beginning to support native