Broadcast News

Bookmark and Share
02/09/2002

Eyeheight expands PresTX range

Eyeheight have announced an expansion to its PresTX series of master control equipment: the Key-Eazy vision mixer/keyer, Mix-Eazy vision mixer, Bug-Eazy bug inserter, Touch-Eazy touchscreen controller and Sounds-Eazy digital audio mixer.
These new introductions provide exceptionally cost-effective systems for use in a wide range of broadcast presentation applications.
Key-Eazy is an SDI vision mixer and keyer with embedded audio, optimised for integration into automated networks. It occupies three cards in a compact 1 U Eyeheight Flexi-Box housing. Features include serial digital mix/wipe with external reference input and preview output plus integrated embedded audio mixer and a downstream keyer, also with independent preview output. An integral automation interface card can be software-configured for specific automation systems.
Mix-Eazy is a cost-effective A/B vision mixer for use in manual operational environments. It incorporates an embedded audio mixer, flexible master control panel with access to individual functions, pre-programmed T-bar fader, mix/wipe/cut, and take. Mix-Eazy comprises an FP10 and VP-10 control panel plus a single card in Eyeheight’s 1 U Flexi-Box.
Bug-Eazy is a logo inserter allowing forward, backwards, looped, bounced or triggered bug playout. Integral facilities include independent programme and preview channels, cue-dot-based real-time logo animation acquisition and a keyer allowing bug fading. Internal fade-to-black selection is provided on the main programme output. Up to six Bug-Eazy units can be accommodated in a 1 U rackmount chassis.
Sounds-Eazy is a cost-efficient digital audio mixer accepting one embedded audio source plus two AES digital sources. Designed for easy integration into automated systems, Sounds-Eazy outputs audio embedded into serial digital video plus an independent AES digital audio channel. Features include input channel manipulation (stereo, mono and track-to-track channel switching), auto transitions and audio level control. Fully transparent to all other embedded audio signals, it accepts synchronous and asynchronous AES sources. Up to six Sounds-Eazy mixers can be housed in a single 1 U high 19 inch rack width Eyeheight Flexi-Box with either a local or remote control.
Touch-Eazy is a touchscreen master controller forming the virtual front end of a software based production switcher. It enables control of program, preview and two auxiliary buses with up to 42 inputs. Touch-Eazy provides full user-configurability and control of mix/wipe, multiple downstream keyers and logo insertion. The screen itself is a 15 inch IntelliTouch acoustic wave TFT display. The supporting electronics are housed in a 1 U rackmount chassis with 40 gigabyte HDD, FDD, CD-ROM drive and Microsoft Windows 2000 operating system.
(GB)
Solidmate Ltd Memory Card Hire London

Top Related Stories
Click here for the latest broadcast news stories.

14/03/2024
Triveni Digital's Mark Corl To Share ATSC 3.0 Advancements
Triveni Digital has announced that the company's senior vice president of emergent technology development, Mark Corl, will share ATSC 3.0 advancements
11/11/2016
What Is The Future For Immersive Audio?
Peter Poers, Managing Director at Jünger Audio, looks at production efforts versus consumer experience. Introduction Along with the evolution of highe
09/08/2012
Blackmagic Design Announces Major New Software Update
Blackmagic Design has announced a major new software update that adds full-audio mixing capability to its ATEM 1 M/E Production Switcher and ATEM Tele
01/03/2013
Jünger Audio Helps Two US Broadcasters Comply With CALM
WBPH-TV and WMBC-TV choose Jünger Audio’s T*AP Television Audio Processor as their "one-box" Loudness Control solution Berlin, Germany: The implementa
10/04/2002
Sonic introduces DVD-Audio Centre LE
Sonic Solutions have introduced the DVD-Audio Creator LE – a highly-affordable DVD-Audio authoring system with advanced features. Incorporating core t
22/07/2015
Jünger Audio Prototype For IBC 2015
Jünger Audio will use IBC 2015 to showcase a prototype audio monitoring solution that will allow broadcasters to check the quality of all immersive au
14/05/2012
Jünger Audio Makes Audio Loudness Its Focus At Broadcast Asia 2012
Dynamics specialist Jünger Audio will focus on controlling audio loudness in the broadcast chain at this year’s Broadcast Asia convention in Singapore
19/07/2012
Jünger Audio Makes Audio Loudness Its Focus At BIRTV 2012
Dynamics specialist Jünger Audio will focus on controlling audio loudness in the broadcast chain at this year’s BIRTV convention in China (August 22nd
22/03/2017
Jünger Audio Demos Audio Processors At CABSAT 2017
Jünger Audio will be promoting its Smart Audio concept at this year's CABSAT exhibition in Dubai (Booth 102, Hall 1) by focusing attention on effectiv
23/02/2017
Jünger Audio To Demo Audio Processors

Jünger Audio will be promoting its Smart Audio concept at this year's CABSAT exhibition in Dubai by focusing attention on effective, high quality and
15/01/2013
Jünger Audio Crontrols Loudness For TVE
Spain's national broadcaster TVE has selected Jünger Audio’s loudness control technology to normalize the audio across a number of its television chan
05/06/2014
A Viable Economic Alternative to AD...
Both Spoken Subtitling and Audio Description may be candidate services that could benefit from the application of Text-To-Speech technology, says John
08/01/2018
Jünger Audio Shows D*AP Audio Processors At CABSAT 2018
Digital audio specialist Jünger Audio has announced that will be demonstrating its full range of loudness control and audio processing solutions for t
13/08/2004
Avid to acquire M-Audio
Avid Technology has entered into a definitive agreement to acquire Midiman, Inc., doing business as M-Audio – a leading provider of digital audio and
20/04/2017
Hearing You Loud And Clear
What is audio processing or loudness control and what is it used for? Audio processing has long been used for radio and studio production, however now